It was a decidedly worrying thirty minutes, until she and Papa were able to follow the sounds of dacha land back to civilization, popping out of the trees some considerable distance to where they went in to pick a few mushrooms.
This experience was
rendered not less freaky by the story their neighbour then told of
getting turned around on a similar mission and being stuck in the
trees for three days.
Which just goes to
show you that Muscovites may know how to fix the central heating
system with a bent paperclip and a hammer, but are not at all
This is a problem because the Russian forest is a wilderness. And huge. And largely left to its own devices.
So Mama was very surprised that the Russian Forest Museum in Moscow is one of the Russian captial’s best kept secrets, which she only stumbled upon by accident.
It’s a bonus that it turned out to be something of a find, and is now one of our favourite museums in Moscow.
Some of this is because of fabulous detailing of the interior, like this traditional wooden window carving.
Undoubtedly more of it is because of the room full off stuffed animals, mimicking a forest glade. Complete with the pleasant sounds of soft bird calls and running water.
The bird calls are
recorded, but the water music is because of the actual stream flowing
through the diorama. It is CHARMING. We were all CHARMED.
Plus, they have an excellent natural stone floor.
It’s called the Temple of the Forest. Quite right too.
The rest of the Russian Forest Museum is a bit less quirky but no less interesting to poke around, managing to impart all sorts of facts about trees and the other plants and wildlife that you can find among them.
Fruits of the forest.
Also, Baba Yaga.
The docents in charge of the Russian Forest Museum have also been particularly welcoming and very happy to cater to my and my Sylvan Big Brother’s enthusiasm when ever we pitch up.
They also told us that the Yolka, the children’s show at New Year, is particularly fabulous.
Even the cave where the coats are kept is cool. Noticing the owl is a sign of being a child at heart, the cloakroom attendant explained, because all the kids do, but none of the adults. By and large.
So quite why it is not heaving with interested visitors is a complete mystery to Mama. Although her accompanying Russian friend did point out that if, in fact, Russians want to commune with the silver birches, the ceder trees and the many varieties of fir and wotnot, all they have to do is walk about 200 yards outside of any given town. Even right next to Moscow is a nature reserve which is home to elk and wild boars. Elk! and wild boars!
So, vast expanses of (nature filled) trees, continually on your doorstep. Not as thoroughly exotic as they are to Mama.
It may have been our visit to the Russian Forest Museum which gave Mama the chutzpah to go back into the woods some fifteen years after her first disastrous visit.
Or it may have been the fact that every other tree on the trail to the local swimming hole was marked. Mama’s fellow urbanites may be Russian, but have clearly learned to take no chances.
Since the walk takes about 40 minutes and one tree does start to look much the same as another after a while, at some point the locals have gotten creative, and added signage. There’s only so much excitement to be had from the soft sunlight streaming though the leafy canopy onto the floor of moss and blueberries, the crack of a tree falling over 50 metres away, the smell of damp earth and greenery, and wondering if you will tread on a snake while realising it is more likely to be a frog.
This one says ‘mosquitoes’ and is accurate.
Others hint at the delights of the swimming area ahead.
There’s a waterproof visitors book.
And other witty remarks such as ‘sun this way’.
Or, for the way back, ‘your dinner’s getting cold’.
It was fun. But so is the Russian Forest Museum in Moscow. Well worth adding to a walk around the attractively buildinged area immediately south of the Moscow River down from the Kremlin. Which is clearly the subject of a post for another day.
Address: Building 4, 5th Monetchikovsky Pereulok, Moscow, 115054
Opening: In summer, Monday – Friday (closed weekends) 10am to 6pm. At other times, the museum is closed Monday and Tuesdays, but open on weekends.
Admission: 150 roubles for adults, 100 roubles for children over seven (under sevens are free).
Getting there: It’s close to Paveletskaya Metro station, on the green and brown lines. You can also walk down from Teatralnaya/ Novokuznetskaya (green, yellow and orange lines) which will take you past a lot of interesting buildings in this older district.
Mama has, over the
years, read her way through at least one book by most Russian
language writers who are not poets.
I wouldn’t say this has been a hardship, Russian writers are a lot less dour than they are given credit for. Except Dostoevsky. Don’t read him.
But she has read nothing by Maxim Gorky.
Which seemed odd
given that he was a writer so famous they named the central park
The thing is, Mama came to Gorky via Alexander Solzhenitsyn’s Gulag Archipelago, a book about the extensive network of political prison camps, how they came about, what life was like in them, who got sent there and what it did to them.
Gorky pops up in the bit about the building of the White Sea – Baltic Canal, a project notorious for the number of its laborers, the majority of them from the gulags, it killed. Gorky praised it. He also praised one of the original gulags out on the Solovetsky Islands after he went on a visit there. He is supposed to have righted a newspaper, held upside down in protest by a zek (political prisoner) at the fact that they had been cleaned up and given leisure time and so on for the visit, thus showing his understanding of the deception and his sympathies for the condition of the prisoners.
But what he actually
wrote about it was… different.
So Mama had got the impression that Gorky’s fame was mostly built on being a Stalin apologist for hire, and didn’t really feel the need to delve much deeper. Because Mama does not approve of Stalin apologists. Whether for hire or not.
During his time in the Soviet Union Gorky was given a house with a very fabulous staircase in it, and Mama has wanted to see this staircase for quite some time. So off, eventually, we popped to have a look a it. The Gorky House Museum came as a bonus.
This house is one of a number of buildings in Moscow built at a time when Art Nouveau (what the Russians call Style Modern, with a decidedly French accent) was all the rage. The Gorky House Museum is a particularly shining example of this.
Of course, it wasn’t Gorky’s house to begin with.
No, it was constructed for the wealthy banker and industrialist, Stepan Ryabushinsky, who among other things started the first car factory in Russia. This was rebranded after the revolution as ZIL, the famous maker of Soviet cars, jeeps, tractors, trucks and so on. It’s been knocked down now, and is being turned into a cultural centre. Very Post Soviet Moscow.
But the name more properly associated with the house is Fyodor Shekhtel, the architect, who had a number of Art Nouveau projects on the go in the 1900s. Most of these now belong to embassies so are hard to get inside.
He also dabbled in some rather fabulous theatre costume designs. As you do.
The Shekhtel House, then, is thoroughly Style Modern from top to bottom, with the possible exception of the hidden Russian Orthodox chapel at the top. Not because Gorky turned out to be a secret Christian in an atheist communist world, but because the Ryabushinsky family were Old Believers, a version of Orthodoxy that was frowned upon in Russia, well before the Revolution.
Mama sold Art
Nouveau to us by explaining that that artists of this persuasion
tried to do is take the natural world, plants, flowers and ANIMALS as
their inspiration. She sold a visit to the Ryabushinsky Mansion to us
with the challenge of trying to spot as many of these little details
as we went round as possible.
This turned out to be a very fruitful pastime. There are animals (and plants) in the mouldings, the lintels, the wall and door panels, in the stained glass windows, as well as tiled areas on the outside.
Th window frames are particularly fascinating. To Mama (no animals for us).
But when we were
chatting to the cloakroom attendant at the end of our tour, and she
had got out the big Shekhtel book to show us more of the animal
theatre costumes than were displayed on the walls, she also quizzed
us on what we had spotted in the house.
Turns out there are more animals than even my Animal Obsessed Big Brother had imagined possible, even though he had to hang around for quite a long time looking for them while Mama tried to get the perfect photo of the staircase.
Now we know where more are to be found, we will have to go back. Don’t make the same mistake. There is an owl here. Can you see it?
Ryabushinsky/ Shekhtal mansion is a pretty fabulous one by anyone’s
standards, and that’s before you are told it was designed with air
conditioning and spot lighting. And the fact that Maxim Gorky was
given it moved Mama to perhaps think that she had better find out
what the actual deal with was him after all.
‘Gorky’ is the
Russian word for ‘bitter’ and is not his original name, which was
Alexey Maximovich Peshkov.
It turns out that Gorky grew up in difficult circumstances in Nizhney Novgorod, very nearly committing suicide around the age of twenty. Experiences arising from this childhood as well as extensive travel on foot around the Russian Empire led him into writing vividly angry journalism, vividly angry novels, vividly angry short stories, vividly angry plays and vividly angry essays of gritty social realism about the harsh realities of being poor or marginalised in Tsarist Russia in the late 19th century and beginning of the 20th .
A very sobering contrast to the life of a cultured and fabulously rich merchant able to commission elegant harmonious living spaces from brilliant architects and contemplate the universe from his religious hidey hole in peace.
In fact, Mama says as a writer and social commentator he was Charles Dickens on crack. Especially as he spent the (failed) 1905 revolution attempt in St Petersburg constructing home made bombs in some random apartment with a whole bunch of very energetic Marxists. After which he was exiled.
And went to Capri.
Anyway. It was actually Gorky’s pre-revolutionary writings and activities that make him a hero of the Soviet Union, what with the favourable publicity and support that they brought to the cause when they went viral around the world. He was nominated for the Nobel Prize for Literature five times.
Obviously he knew Lenin. He wasn’t, apparently, very impressed by Lenin, which is another point in his favour, says Mama, who is also not a Vladimir Ilyich Lenin fan. Although he did agree to front a Bolshevik fundraising drive in America at one point. In the end this was somewhat stymied by him taking along his girlfriend, rather than his actual wife, for the duration. The Americans were not, by and large, impressed by this, despite having much more time for his writing than you would expect given how thoroughly freaked out they seem to be if anyone mentions the phrase ‘socialised medicine’ today.
Mama also says.
Mama is in a decidedly spiky mood today, I see.
Mama also notes that Maxim Gorky seems to have a thing for interesting women, which is probably the best thing about him. His wife, Ekaterina Peshkova, worked tirelessly to advocate for artists, writers and so on caught up first in repressions of Tsarism, work she continued, vigourously, in communist times as one of the most effective members of the Political Prisoners Relief organisation.
And one of his later girlfriends was Moura Budberg. Who was a Soviet/ British double agent. After ending her association with Gorky, she ended up in England, where she repeatedly refused to marry HG Wells, of allegorical time travelling fame. She is also, incidentally, the Half Great (Great?) Aunt of Nick Clegg, which is possibly taking six degrees of separation a bit far, but still amusing to Mama.
What with one thing and another (Lenin didn’t like him any more than he liked Lenin), after the actual revolution, Gorky left and went to Sorrento, along a fairly large household of girlfriends, his ex wife and his children, adopted and otherwise. The reason why he ended up back in Russia again is a bit unclear. Mama, who cannot entirely shake her initial bad impression of Gorky, thinks it is either because he ran out of money, revolutionary writings now being less popular around the world once revolutionary reality had engulfed Russia and the surrounding area, or because he wanted to experience first hand some of the adulation he was nevertheless still getting inside the USSR (being conveniently out of the way).
He certainly got a very cushy number in the Ryabushinsky Mansion, but his return was definitely also a propaganda coup for the communist regime. It seems he was expected to act, as president of the Union of Soviet Writers, as a sort of cultural ambassador and host to writers and so on from abroad, with the magnificent Art Nouveau staircase and so on as a backdrop. So perhaps one shouldn’t see it as entirely a gift without strings attached. Especially as there is also a suggestion that, along with most of the rest of the Soviet Union inhabitants, fear of what might happen to loved ones, including his children, effectively constrained him from the outspoken criticism of a repressive regime that had characterised his early life.
Here is his place at the table set up with tea things.
He himself actually complained that the house was too grand.
Here is his bed.
He also said that he was continually watched.
Hence his behaviour, it is said, with regard to the canal and the Solovetsky Islands .
Sigh, says Mama, who is not one of those people who goes around saying, deludedly, ‘if I lived at the time then I would have DONE SOMETHING’ from the perspective of a comfortable middle class lifestyle.
And Gorky only actually lived for four years after his return the the USSR, dying in 1938 at the age of 68. His son died before him. Rumours that one or both of them were purposefully killed abound. Naturally.
So, it might be better after all to focus on the interior of the house rather than the details of Gorky’s life, and thank our lucky stars that Shekhtel’s architectural masterpiece was, for whatever reason, preserved.
At one point before Gorky moved in, for example, Gorky’s house was a kindergarten. An experimental kindergarten.
!!!!!!!???????????!!!!!!!!!!!!!????????? Says Mama, worried about her staircase.
Whhhhhheeeeeeeeeeeeeeeee! Say I, and my Obsessed Big Brother has just gone green with envy.
Among the preservees, says Mama, who is clearly determined to cram every last little tidbit of information she knows about this building into this review, was Nadezhda Peshkova, a painter and Gorky’s son’s widow. She lived in the house until 1965 and was then instrumental in having it turned into the Gorky House Museum.
That said, there is a certain lack of fine detail in some of the restoration. Russia, Mama says, is clearly not very used to actually having anything left to preserve and restore, so they do not seem to be doing a very good job of it. Rebuilding whole palaces from scratch in Kolomenskoye and Tsaritsyno parks is really not quite the same. Told you she was in a funny mood.
The staircase, in particular is TOTALLY worth it.
Although we really preferred the jellyfish lamp.
And if you go up the stairs and look down, be sure to notice the turtle styling from above, this being another of the little secrets given to us by our connection in the cloakroom.
Address: 6/2 Malaya Nikitskaya, just up from Tverskoi Boulevard, and across the road from the very church where Alexander Pushkin got married to the most beautiful woman in Russia.
Opening: Wednesday to Sunday, 11am to 5.30pm. Every third Thursday in the month Gorky’s house is also closed.
Admission: Adults are 300 roubles, kids are 100 roubles and if you are very obviously foreign like Mama you pay 400 roubles. Don’t forget to add the photo pass for 100 roubles.
Getting there: The nearest metro stations are probably the three connected ones of Pushkinskaya (purple line), Chekovskaya (grey line) and Tverskaya (green line), although see also Arbatskaya (both blue lines) and their connectiong stations on the red and grey lines, and also Barrikadnaya/ Krasnopresnehskaya (purple/ brown lines). It’s a good ten to fifteen minutes walk from any of these.
Our visit to the town of Kolomna in the Moscow region is an object lesson in why you should pay attention to your surroundings in an unfamiliar place, as well as keep your mobile in the back pocket of your jeans and not an outer area of your coat when it is minus 15 degrees.
Because at some point Mama got separated from her party and found herself in the middle of the biggest snowstorm in seventy years in the dark with no clear idea of the direction she should be going in. And her phone had died from the cold.
She could have retraced her steps – we are not talking serious levels of peril here. Mama is not that kind of travel blogger. But she was tired, and was also attempting one of those complicated parental manoeuvres where you and your Significant Other swap over which child you are looking after in the middle of an excursion. Tracking back down my Oblivious Big Brother, happily scoffing pancakes in the warmth of a cafe, would have meant this relay would not have happened.
So she asked the
first person she saw for help.
Now the problem with
asking a local for help is that they don’t know the name of the
And although Mama
had previously clocked with amusement it was on a street with a very
typical name for a street in a town in Russia, she couldn’t at that
moment remember what that was. Lev Tolstovo Ulitsa? Leninskaya?
Pushkinskaya? Unfortunately, all of these also exist in Kolomna, so
this insight was not helpful.
Locals also don’t necessarily know the location of every random museum Mama might have happened to visit nearby to where she was staying. And saying to someone ‘it’s on the street with the really attractive houses’ is really not a helpful thing to say in Kolomna. At all.
But luckily ‘it’s next door to the McDonald’s’ is. Thus, Mama was escorted ten minutes out of the Russian man’s way back to the street Oktyabreskaya Revolutsia, and was able to successfully take over supervision of my pig-headed determined effort to lounge around at the Hotel Kolomna rather than engage in tourism.
Mama thinks I have watched too many episodes of the (admittedly excellent) travel show Oryol i Ryeshka (Heads or Tails), in which one presenter gets to experience a destination in luxury and the other has 100 dollars to spend for three days. I was distinctly more interested in exploring the facilities in our accommodation for the whole of our first day, and decidedly frustrated every time we didn’t get further than the lobby before sauntering back out again to visit some other attraction. Eventually I flatly refused to go anywhere else.
Which is how Mama and Papa came to be at opposite ends of the town in the first place.
Well, to be fair, it was very cold, and a free excursion courtesy of the hotel didn’t really sound that interesting. Mama begs to differ though as she found out quite a lot about the history of Kolomna.
The history of Kolomna and its kremlin
Kolomna is directly south of Moscow and on the Moscow River, and thus of some strategic importance in Moscow’s long struggle for dominance in the area. It was officially first recorded as existing in the 12th Century.
There’s a socking big statue of Dimitry Donskoi outside one of the remaining walls which commemorates the time he gathered his troops in Kolomna before marching actually some considerable way away to have the battle of Kulikovo in 1380. Which he won, and although it’s one of those victories which has definitely grown in the telling, in the Russia origin story it marks a sort of turning point both in the decline of the power of the Mongols in the area, and also in Moscow beginning to claw its way up, in a sea of competing small Eastern states.
Worth a statue,
then. Not that Mama has a photo of it because at that moment in the
tour she had lost the feeling in her toes and was wondering if
perhaps I hadn’t made the right choice after all.
The Kolomna kremlin is also worth gawping at as it eventually graduated from being a wooden construction to more durable walls a bit more than a hundred years or so later, some of which still remain. Quite impressively.
‘Kremlin’ being, you understand, the Russian word for fortress, not something special to Moscow. There’s a whole set of them scattered along the border of medieval Moscow’s influence, mainly as a protection against the raids of Crimean Tarters.
The next big skirmish Kolomna was involved in was during the Time of Troubles in the 16th Century, when the succession to the throne was contested by a succession of False Dmitrys pretending to be the son of Ivan the Terrible (the name is a clue that they did not, in the end, win the argument). Maria Mniszech, who was, optimistically, married to both of them, took Kolomna during the fight and harried Moscow from there, until she herself was captured and imprisoned in one of the towers that is still standing. Today it still bears her name. And, apparently, her ghost.
The kremlin walls are incomplete now, not because of their failure to keep anyone out, but because during the 18th and 19th centuries the building materials were re-purposed by Kolomna inhabitants for other things. But as well as some walls, there is a gatehouse and those towers to admire, and you can tour the top of the walls too if you join the right excursion.
There are a number of churches and monasteries inside the kremlin territory or scattered around the town. So if you are into your Orthodox ecclesiastical architecture, Kolomna is a great place to visit.
Mama would like to draw your attention particularly to this church, Krestovozdvizhensky Cathedral, and especially to the splindly red and white towers you see surrounding it. Look familiar? They should if your read our blog as they are by the same architect who was responsible for the Gothic gingerbread palace for Catherine the Great in Tsaritsyno in Moscow (not that Catherine appreciated it).
Mama, however, was more interested in the wooden village style houses.
Many of which have gone full on quaint, especially if they are near to or inside the kremlin.
Of course, pausing to take another photo every few minutes probably didn’t help the problem she had keeping up with the Russians in her party. Mama is unclear if she is just terminally unfit or has not yet developed enough of an irritation with wading through ankle deep snow to have worked out the best way to do it.
Museums in Kolomna and other attractions
Aside from photography there are a number of museums to choose from when you visit Kolomna.
We went to the main
Kolomna history museum, which started off in prehistoric times and
the natural world and worked its way up from there, as small local
museums are wont to do.
Mama has clearly been in Russia too long – she no longer finds the idea of bears, wolves and so on particularly exotic as part of the local wildlife scene. But she did get quite excited by this odd looking creature. It’s a wolverine, apparently.
Anyway, aside from walls, what Kolomna is mostly known for is industrialism, so there are a number of exhibits about that, especially the locomotive factory.
Mama was more distracted by trying to take a photo of the model of the centre of town from every conceivable angle – she was determined never to get lost when visiting Kolomna again – and by the discovery of an English grandfather clock. This shot shows where she was standing while taking the two kremlin wall pictures above. The haunted tower is on the right.
That said, what they do not seem to make much of in the museum is the reason why Kolomna is still not officially on the list of Golden Ring towns – the recommended list of places in the Moscow region which tourists might like to go and visit if they fancy a few days away from the capital. Despite it being super pretty and relatively convenient to get to.
This is that it was a closed town until 1994.
Closed towns were
the ones which had some kind of strategic military importance, and so
there were restrictions on foreigners visiting.
The strategic importance of Kolomna were the armament factories.
This history is hinted in the Museum of Military Glory (fabulous name. Mama says, dubiously). Observe the diorama of shell making!
The museum is small, but the guide was enthusiastic about pointing out the equal participation of women in the death and destruction industry in the Soviet Union generally, and the Great Patriotic War (World War Two) in particular. Hurrah!
It is also one of those museums that takes a personal approach to history, with most of the exhibits being illustrated by pictures, stories and artefacts of real Kolomna natives and residents.
Mama was particularly determined to draw my attention to the photo and letters of one of the Night Witches. This was a squadron of lady bomber pilots, fabulously nicknamed by the enemy as somehow it was much much worse to be killed by females than by your regular Red Army fly boys. Kolomna has an aerodrome nearby, and the flying club attached to it has a long and venerable history. Currently it has a reputation for being a particularly good place to go and learn about parachute jumping and sky diving. If you are that way inclined.
This is one of the first instructors at the aerodrome.
Of the other places of interest available on your Kolomna visit, the one that was enthusiastically mentioned as a top attraction by everyone Mama spoke to about her trip is the Pastila Factory Museum. Pastila is a fruit sweet, and the museum is very well worth the fuss, being interactive, immersive and ending with a guided pastila tasting and tea. We all echo the recommendation therefore. Here is what we wrote about it in more detail.
And then there’s the museum to the life and times of the local writer, Ivan Ivanovich Lazhechnikov, who in theory is famous for being one of the first writers of historical fiction in Russia (think Walter Scott).
But didn’t Pushkin die in a duel, I hear your cry? Yes, indeed he did. Just not this one. Clearly toxic masculinity is not a new phenomenon.
The museum is mostly just a collection of odds and ends and a few dressed up dummies in Lazhechnikov ’s reconstructed family home, and Mama did not, if she is absolutely honest, find it all that interesting. But it does have some nice furniture and she has made a mental note to see if there are any translations of the great man’s works.
Other museums that caught our eye were the one about a type of gramophone, the one about life on a communal farm, and also the ones more dedicated to crafts such as soap making, and honey production. Also with very tempting shops attached.
If all of this history, culture, boutique shopping or parachuting palls, you can check out the fancy new sports centre, which is mainly there to house a top of the range speed skating rink. Even if you are not into speed skating, you can hire skates and whiz round the rink in the comfort of indoors.
Or you can do what my Oblivious Big Brother particularly enjoyed, and slide on your tummy down the moat of the kremlin walls. Over and over again. At least someone enjoyed the snow.
There are also a
number of pleasant cafes and eateries dotted about, in addition to
But what about the hotel, I hear you cry? Did it live up to my expectations?
In Mama’s view the
Hotel Kolomna was a perfectly respectable three star hotel. The
communal areas were pleasant, and they have such facilities as their
own gym, restaurant and cafe.
The rooms included sturdy examples of the sort of furniture you usually find in hotel rooms. The beds were comfortable, the en suite bathrooms were fully equipped, and the carpets were thick. Everything was clean.
Check in was
smoothly accomplished, and reception was able to lend Mama a charger
to revive her dead phone, which she was particularly happy about.
Hotel Kolomna was,
in short, a bit better than some of the motel chain hotels she has
experienced in the UK and decidedly less grubby and with better
fitting windows than a couple of the B&Bs. Also, being a pretty
large hotel building and able to do economy of scale, it was also
cheaper, especially off peak in a blizzard.
Mama isn’t sure how good anyone’s English is, but she can definitively say they didn’t have any trouble coping with her wayward Russian, which is a good sign. And all of the information, hotel services, rules, general information, comes in English as well as Russian as standard. So they can probably manage foreigners.
In short, Mama quite recommends it, especially as it is within a reasonably short amble of the pretty bits of Kolomna and the station.
Revolutsia street. Remember this. It might come in handy.
Obviously, other hotels, hostels and sleeping arrangements are available. Not that you absolutely need to make an overnight stay of it.
Getting to Kolomna to experience all of these things is simplicity in itself even if you do not have a car as there are regular trains from Komsomolskaya station. You can get the basic local train, the electrichka, which will have hard benches to sit on and stop in more places, or the express, which shaves only a few minutes of the approximately two hour journey, but will definitely have better seats and free wifi as well as a refreshment trolley.
So you should definitely visit Kolomna. Mama thought that the off season in winter was a perfectly reasonable time to go, especially if you like to photograph wooden houses in a layer of freshly laid snow, but doubtless Kolomna will be equally as pretty in full summer. And there will be all sorts of festival-type celebrations for major holidays such as New Year, Maslenitsa, Easter or the May holidays too.
So here we are again at the end of Maslenitsa, or (variously) Shrovetide, Butterweek, Pancake Week, or Cheesefare Week, depending on who is trying to explain/ translate the phenomenon.
And YES, I KNOW that the west is probably making their pancakes on a different date, only for one day, and that Lent starts straight after on a Wednesday. Not only is there a difference between the Orthodox church’s calendar and everybody else’s to account for when Easter falls, but there is also a difference in the way it counts Lent.
Now Mama has, over the years, gotten used to the idea that she is going to be making or eating pancakes, or rather Russian pancakes called blini, for a whole week rather than just the one evening.
She has, at various times, found herself planning whole feasts involving just the one basic dish and as many things to put into them as Pinterest can imagine, competing in competitive blini making with actual Slavs, trying to fend off her mother in law when she pops round with approximately 42 000 blini that need to be eaten now so she can make 84 000 fresh tomorrow, trying to get the Russians around her to appreciate a squirt of lemon and a sprinkling of sugar as a filling despite the fact that for some reason this is the ONE thing Russians don’t seem to add to pancakes, and standing in windy London park in the drizzle with her Mother in Law, having a pancake themed picnic, the widest possible variety of fillings (including sweetened citrus), whist engaging in blini oneupmanship.
But she was nevertheless a bit taken aback when she returned to Moscow after ten years of living away, to find that Maslenitsa has now also achieved the status of determinedly celebrated revived folk festival. There is bunting. And everything.
Of course, Mama is obviously no stranger to bonkers traditional practices.
She has to explain Guy Fawkes Night to foreigners every year after all, a conversation that goes something like this: yes, we do burn a puppet of a man, seemingly alive, to celebrate the time we dragged him through the streets behind a well fed horse, hanged him to almost dead, cut his genitals off, disemboweled his living body, and then cut him into four pieces and sent him to different part of the country as a warning to others. You can make your own guy! Well, children used to anyway. And then they went round the streets begging for money with it! We also set off fireworks. It’s a family holiday! You should definitely go to one of the displays. There’s a village in the south of England that chucks politicians and celebrities on the fire! It’s very cool, they even have burning crosses and everything. Why? Oh, well it was essentially an anti Catholic holiday, so probably that. But we’ve stopped burning effigies of the pope now even though they still have banners saying Down with Popery, so you should be OK.
Or rather the beginning of the end of winter because anyone sending Mama photos of snowdrops, crocuses, green grass and themselves enjoying the fresh smells of spring in a light anorak on Shrove Tuesday will get short shift as she marches through the likely blizzard. Actual spring is a good month off yet. Possibly two, depending on when Maslensitsa is this year
I, for one, am all for the aggressive dismissal of the snow after a number of winter seasons. Scientific reason may have made us more certain that there is summer and 35 degrees centigrade round the corner, and admittedly this sort of thing is usually done by actual non-Christian participants a bit closer to the event at the spring equinox, but it’s not like there isn’t precedent for mucking about with religious rites according to the whims and obsessions of the age.
Especially as, who knows, in a short time, all this may be less certain, what with global warming and all. Perhaps pacifying the old gods is not such a silly idea after all.
Thus the round, slightly golden and glistening blinis become sun symbols, just as the were, apparently, at sun encouragement festivals of the past. The effigy constructed at the beginning of the week and burnt at the end to remove bad things from the world, is said to represent Lady Maslenitsa, or the death/ rebirth wintertime goddess Marena, depending on just how pagan you want to get. In central Europe she is drowned (or burned and then drowned, which all sounds a bit 17th century to Mama), but the similarities are there.
Of course, some people will tell you that pancakes are all about using up food before the Christian Lenten fast. This was something that confused small Mama a lot on 1970s Britain. I mean, yes, fasting, but quite what was so fabulous about eggs, flour and butter she was not sure. As compared to, I dunno, meat, biscuits and apples.
But the Eastern Orthodox fast, unlike the modern day Anglican one, is strict and effectively turns observers vegan. But not at once. In preparation for the full fast, the week of Maslenitsa is supposed to be meat free. But eggs, butter and oil can still be eaten. See? Pancakes now make sense!
Interestingly, along with dubiously resurrected pre-Christian rituals, the other thing that has made a resurgence in post-Soviet Russia is the observance of Lent. It’s a very dry January sort of impulse, as far as Mama can tell, and not particularly related to how religious a person actually is but following the fierce dietary requirements of the fast is definitely a thing. So coming to Russia in this period if you are vegan is something to seriously consider as restaurants have special alternate Lenten menus at this time which should cater to your every need.
Of course, Mama, as a professional manipulator of people, admires the fasting system as a means not only of purifying your soul, but as a way of getting a population of freedom deficient serfs through times of scarcity and harsh climate conditions.
Which brings us to the final point of Maslenitsa, and that is social engineering.
Fasting in the Eastern Orthodox church is not just for Lent, but a pretty year round thing. It is noticeable that there is a continual waxing and waning of quite how extreme you are supposed to go. Mama is particularly impressed by the very careful leavening of the longest 40 day fast by the occasional allowance of the odd bit of butter every second Sunday (or something), which she considers a particularly masterful understanding of human nature’s inability to keep up a hair shirt mentality for too long.
Or perhaps that a society built along rigidly prescriptive lines with no let up is not such a desirable thing.
It does mean that Eastern Orthodox Lent has to be longer to meet the 40 days requirement. Which is why even when Maslenitsa falls the same time as Pancake Day, Easter does not. Yes, despite knowing the reason for this, it does make Mama’s head hurt at times.
The week of Maslenitsa itself, in fact, was itself an exercise in society-approved letting off steam, celebration and general joie de vivre. Just as Christmas, Easter and other random holidays were and, frankly, are today.
So each day had its own brand of ritualised bonding opportunities for people stuck living together in small right knit rural communities. Or ritualised anti-neighbour aggression in the case of the bare knuckle fighting (300 dead on one historically memorable year in Moscow. Puts the argument over who borrowed whose lawnmower firmly into perspective). Much is made of the need for mothers in law to entertain sons in law to blini and vice versa. And sisters in law also have to spend time together and attempt to get along. And there is a whole Sunday of asking for forgiveness.
There is also the day when young men are allowed to kiss any girl they fancy, so let’s just take a moment to disapprove of that and feel superior to our neanderthal forebears.
However, the idea behind it is clearly to have a socially approved relaxation of the normal rules of fratinisation (don’t) in order to facilitate moves towards marriage as soon as Lent and Easter are over (obviously one does not get married in Lent. What would one eat?).
Mama applauds, in fact, the idea that there is some kind of need to actually gain the female half of the partnership’s acceptance of your decision to wed her and some time period for her to think it over. And also notes that the narrative of men being instigators and women passive accepters of passion is not a thought process which has moved on as much as you might expect in the last 500 years or so.
Not that she thinks it’s an appropriate tradition to resurrect today. And to be fair, nobody seems to be suggesting it, or the fist fighting, or live bear-related festive theatre. Or importing Granny so Papa can stuff her with pancakes.
Although there is this.
Moscow city government sponsored fun, big and small, therefore is definitely well within the spirit of the holiday, even if it generally starts the weekend before Maslenitsa proper and reaches a culmination in the final Saturday and Sunday, to fit with a more modern working life pattern.
You can also go outside Moscow, and Mama thinks Maslenitsa tourism might be a growing thing. Everyone loves a good bonfire, amirite?
Expect street theatre, and lots of people dressed up in traditional outfits, something faintly pagan, or with folk overtones.
There will almost certainly be live music. And games. Also hands on activities with villager overtones for the urbanites to dabble in. Mama never thought she’d be standing in a queue to wait to have a go at sawing wood, but then it happened.
Masterclasses will involve paint, with a reckless disregard for the messiness I am fully capable of bringing to such activities. Increasingly, a Marena, Lady Maslenitsa building competition may be happening.
And of course, you will be able to get blini. This year my Intrepid Big Brother tried pine cone jam in his, which he recommends, although Mama notes that anything smelling strongly of pine is mostly reminiscent of the stuff you use to clear the bathroom with.
And on the Sunday, or possibly Saturday, because never let tradition get in the way of a well scheduled event, we watch the winterwoman go in in flames. Well, you can. Mama thinks that the One True Bonfire is that lit on 5th November and has not got up the enthusiasm to track that part of the festivities down yet.
But if you are lucky, you might catch some other fire related show. This, says Mama, is what we should contemplate doing as our Saturday job in a few years. She just shelved books in a library and pulled pints in a haunted pub. We are less keen currently, but it was a pretty thrilling end to our Maslenitsa weekend.
Happy blini hunting, and a safe and purified journey into Easter.
Mama, in fact, is a travel blogger who doesn’t actually like travelling much. Well, it’s a niche.
But thanks to the World Wide Web, she can armchair travel as much as she wants. Mama enjoys other people’s trips to far flung places quite a lot.
Plus, it allows her to keep in contact with all sorts of people in all sorts of places, to share a laugh, to see what they think is happening in the world, to peer into the tiny details of lives and living situations very different from hers. Even, in some ways, to participate.
Which is what happened when her friends bought Noss Head Lighthouse Keeper’s Cottage, in the North East of Scotland, close to Wick and Inverness and their airports and train connections, and twenty minutes from the very top of mainland Britain, John o’Groats itself.
Now Mama had not previously given much thought to the existence of Scottish lighthouses, or lighthouses in general. She might be the product of a proud island nation and the daughter of an enthusiastic amateur sailor, but she’s never lived within sight of the sea, the boat she is most familiar with is a Mirror dinghy, and her sailing has all been done on lakes. Very small lakes, mainly.
So previously she did not know that Scottish lighthouses were frequently built by one or another member of a family of engineering-minded Stevensons. With the exception of Robert Louis Stevenson, who benefited from lighthouse building being quite a lucrative business on the rocky north coast of Scotland and became a writer. Yes, that Robert Louis Stevenson.
‘I dreams of cheese! Toasted mostly! Oooh arrr Jimlad! Shiver me timbers! Pieces of eight!’ says Mama, helpfully.
is what Robert said about the Stevenson Scottish lighthouses:
‘There is scarce a deep sea light from the Isle of Man to North Berwick, but one of my blood designed it. The Bell Rock stands monument for my grandfather; the Skerry Vhor for my uncle Alan; and when the lights come out along the shores of Scotland, I am proud to think that they burn more brightly for the genius of my father’.
Alan Stevenson, the uncle, was the one who oversaw the construction of Noss Head Lighthouse and surrounding buildings, and Noss Head has some interesting features. The diamond-shaped windows in the lantern room were a new design, subsequently employed in future lighthouses. He also went a bit overboard with the architectural detailing on the cottages and outhouses, which means that some of them, although not the Noss Head Lighthouse Keeper’s Cottage itself, are grade A listed.
Noss Head Lighthouse is still in operation, but has long been
automatised, which is why you get to stay in the keeper’s cottage
rather than the keeper. Cool, huh?
Mama has a somewhat proprietorial feel for the place, despite living very much at the other end of Europe, as she is part of a brainstorming group her friends use to make sure that their meticulous holiday cottage planning is on point.
The discussion about the type of biscuits to include in the welcome pack was a particular highlight, not least because Mama discovered there is such a thing as Blue Stilton and Walnut Shortbread.
In fact, when you walk into the cottage, contemplate Mama being quite proud to have contributed (a very very small part) to choosing the best colour of curtains to create a warm and inviting atmosphere; deciding what kind of saucepan would suit visitors best; searching for interesting books about lighthouses to add to the sitting room bookshelves; stress testing the cottage’s website and the information provided for guests; and working out how to make the cottage child friendly without compromising the aesthetic for adult guests.
Currently debate is buzzing about Noss Head Lighthouse Keeper’s Cottage fridge magnets. You are very welcome.
Overall, Mama’s friends richly deserve the enthusiastic comments about the attention to detail in the visitors’ book.
Now, obviously you want to be comfortable and have a cool place to stay on holiday, and with this holiday cottage you are clearly sorted. But presumably you also want to get out and about and see a bit of Scotland while you are there. Luckily there is certainly plenty to do, in terms of taking in spectacular coastal views and rockpooling along beaches around Noss Head Lighthouse, and also in the surrounding area.
Caithness is plentifully supplied with castles, including a ruined one you can see from Noss Head Lighthouse Keeper’s Cottage itself. As well as the views, there are opportunities to see all sorts of wildlife and birdlife from puffins, through hairy cows to seals. There is ancient history in the form of prehistoric stone towers called brochs. And this being Scotland, there is a whisky distillery. More than one, in fact. And a gin distillery. And a vodka distillery. And also a brewery.
Plus, many small craftspeople crafting away and prepared to sell their unique items of knitwear, pottery, ironmongery and so on. A number of the paintings in the cottage are by local artists, to give you an idea of what is out there.
If you are really lucky, the northern lights might come out to play. If you aren’t lucky, the chances of a cloudless night are good, giving you the opportunity to stargaze away from the light pollution of most towns, cities or villages.
More than this, the North Coast 500 road trip route goes right past the Noss Head Lighthouse Keeper’s Cottage.
Even though Mama blanches at the thought of travel, she does have a sort of fascination with road trips and similar. She quite enjoys the thought of packing up a car, an RV, a canal boat or even the Trans Siberian Express, and being gently wafted from place to place, waking up somewhere new every few days, yes, but with somewhere convenient to stash all the extra changes of socks, snacks, extra camera batteries, two tablets and a kindle, five more pairs of pants than the number of days we are staying away for, my bedtime cuddly toy, a couple of books, the wellies, the flip flops, the swimming things, the umbrella, the thermos, and the crafting activities so she doesn’t have to lug them all around with her.
Or worse, leave them at home.
So when Mama finally decides it’s time to go, the journey will be EPIC, and driving round the top of Scotland on the NC500 sounds pretty perfect, with moorlands, lochs, Highland glens, white sand beaches, hamlets, fishing villages and oodles of Scottish wilderness to explore.
from the breathtaking scenery, after years of city living she
actually rather enjoys the infrequent occasions she gets to fling a
car round country roads. The fact that Papa is generally closing his
eyes and gripping the edges of his seat in fear is revenge, Mama
thinks, for years of her putting up with Muscovites and their overly
breezy attitude to lane changing at speed.
the idea of trying to shift Papa’s opinion that whisky tastes a lot
like moonshine vodka sounds quite appealing. And you get to stand at
the very top of a country, at John o’Groats and contemplate taking
off and seeing how long it might take to get down to the bottom and
Lands End, just for the fun of saying you did it. Mama wants to go to
Vladivostock, for much the same reason. End to end, baby. It’s a
(very long term, and probably hypothetical) goal. Especially as her
fitness levels are not going to see her climbing any serious
mountains any time soon.
Although there are a few of those Northern Scotland too. Bagging one of the Munros is a thing, and there are 37 of them on the NC500 for you to choose from.
So, if you want a quirky holiday cottage in the Highlands of Scotland, a quirky holiday cottage on the NC500, a quirky holiday cottage near John o’Groats, or just a really comfortable (and quirky) holiday cottage somewhere scenic, you really should consider the Noss Head Lighthouse Keeper’s Cottage.
Like we are.
Just to be clear, we have not received any financial or other incentive for writing this post. We just like our friends and think their lighthouse cottage is way cool.
One of the things everyone recommends when you say you are about to visit Kolomna in Russia is a look around the Kolomna Pastila Factory Museum. Which does not initially seem like and incentive to get on a train and travel for two hours out of Moscow.
But then you find out that pastila is a type of sweet.
Pastila is, in fact, the same sort of sweet as a (Rowntrees) fruit pastille. Name a bit of a give away there. Except pastila is a lot softer, a bit more gourmet, with more variation in the different types. And originally at least, a lot less mass produced.
In French, they call it Pate de Fruit. Immediately makes it sound even more enticing, non?
Essentially, for those who have never considered how their fruit pastilles are made, to get pastila you concoct a fruit puree and then allow it to turn into something jellylike.
Apples are involved, partly because Kolomna seems to have been particularly abundant in apple orchards, and partly because they are a good source of the setting agent pectin. But other berries and soft fruits can be used too. Mama particularly likes the blackcurrant flavoured ones.
But then the makers of Kolomna pastila started to get fancy. And not just because pastila was often made with honey in Kolomna. Honey was cheap. Sugar was not. That’s it. Honeyed pastila is tasty though.
No, classic Kolomna pastila was different from the French and English versions because the addition of eggwhites to the puree and a long drying process in the traditional Russian clay oven added a certain marshmallowy quality to the sweet. Which became beloved of the Imperial court on down.
Shame the original historical recipe got lost somewhere between the revolution upending everything, including, for some reason, the apple orchards. And the attempt to produce pastila as an fully industrial process did not go as well as hoped either. Still, they seem to have got it mostly worked out again now.
This doesn’t quite explain the popularity of the Kolomna Pastila Factory Museum, however.
Even though everyone is careful to tell you they will serve you tea and conduct a tasting session, Mama was bemused by the extreme enthusiasm she encountered from tourists and locals alike.
I mean, every cafe in Kolmna serves tea and pastila, and the museum itself has a particularly fabulous one next door to the main building. What could possibly be so gripping about a few glass cases and some explanatory placards?
No, it is an interactive, immersive experience in which the history of pastila making in Kolomna, the cooking process, and all the different types of pastila are demonstrated by costumed actors playing out various roles of 19th century cottage industry workers.
And also the factory owner and his wife.
Even the embedded advertisement for all the related products sold by the Pastila Factory Museum shop (fruit syrup, herbal tea, jam, and preserved fruit, in case you are wondering) is exuberantly done. And Baba Yaga herself has a cameo appearance.
You get to make your
own pastila, from washing and coring the apples, through stirring the
puree, to sticking the pastille on a hook to allow it to be dipped in
syrup and hardened.
You also get to visit the cellar full of apples. The smell alone was worth the price of admission.
Mama and Papa seriously considered locking my Appleloving Big Brother in there and coming back in a few hours to see who had won. Particularly as he was having a bit of a sulk at the beginning of the tour over a clash between Mama’s desire to photograph all the very attractive Kolomna buildings, churches and houses, and his desire to go and slide around in the record amounts of snow that had fallen that weekend.
He had thoroughly cheered up by the end though.
We did both also score an apple to munch as we went round the rest of the tour of the Kolomna Pastila Museum though and I must say that every museum tour should consider this method of keeping their young visitors happy, as well as ending with a sweet tasting.
If you are dithering about which Kolomna pastila museum to choose (there are two), or whether to go to a pastila museum at all, we heartily recommend this one. One word of warning – the tours are all run in Russian. But you can find yourself a guide to translate without too much difficulty, if you are not able to nudge your children sharply at significant moments and demand key words. Like Mama. Ow.
If you cannot make it out of Moscow to Kolomna yourself, then the Kolomna Pastila Factory Museum has a shop actually in Moscow, near Smolenskaya, and is available to order goodies from online.
‘What, again?’ said my Jaded Big Brother when Mama suggested going into the centre of Moscow to see what was occurring at the Moscow New Year street party at the beginning of January.
By this time we had already thoroughly investigated the winter sports theme on Tverskoi Boulevard. We had wandered down the Arbat, and across Manedzh and Red Square to admire the lights.
We had seen the
fairytale arches outside the Bolshoi and walked up Nikolskaya Street
to the particularly fabulous set of trees on Lubyanka. We had even
been inside Detskiy Mir and GUM, and eaten the obligatory ice cream
What was left?
Well, New Year being the biggest holiday of the year in Russia, a three-day street festival, starting on 31st December and ending on 2nd January. Tverskaya Street, the road leading down to Red Square, was closed off. Stages and other decorative items were erected. Interactive opportunities were dreamed up.
Mama caught some of the preparations. This tree, and there were a number of them up and down the street, took all day to decorate. Much to Mama’s amusement, the whole operation was enacted by men, but organised by a woman shouting at them through a megaphone. She felt that this was an art installation of unsurpassed satirical accuracy.
And it was all free.
We arrived towards evening, as Mama feels that enjoying winter festivals and their light shows should be done in the dark, if possible.
Of course, in Russia, in winter, that means about starting at about 4pm.
Things you can expect to find at the Moscow New Year street festival?
around on stilts. Which makes a lot of sense as you can see them
above the crowds.
Groups of costumed dancers. You may or may not wish to join in with them. We saw angels. Or possibly snowflakes.
Candy canes (not a Russian tradition as such, but hey). Plus band.
And Mama’s personal favourite, cosmonauts (definitely something Russians get as much mileage out of as possible).
There were some chill out zones and covered pop up cafes.
And stages. Not sure if early evening on the last day meant that the programming had run through all the obvious candidates already, but it turns out that Russian rockabilly is a thing. Mama enjoyed this band, Fire Granny, immensely, and insisted on bopping along.
Incidentally, it was snowing so hard you might actually be able to see it in the photos. This winter has been particularly good value for snowfall, and there is definitely something very fabulous about doing anything at New Year and Christmas accompanied by large fluffy snowflakes.
This did not make things easier for the tightrope walkers operating high above the street about half way down. Genuinely awesome, and they had even worked out how to make falling off part of the act. Luckily.
We also got a chance to try out tightrope walking for ourselves. Ably assisted by assistants to keep us on the ropes.
And thus we carried on our way, until we got to the real life hockey game at the bottom, and the people swaying gently back and forth on long sticks.
And for your convenience the whole festival is actually called ‘the Journey into Christmas’ because Christmas in Russia comes at the end of the winter holiday break on 7th January rather than the beginning. It’s good marketing for non-Russians, at least for those who arrive before December 25th, especially as many of the things Russians do for New Year, other countries do for Christmas.
As for the Moscow New Year street party, Mama recommends starting at the top end, near Pushkinskaya Square. No particular reason, except that it’s downhill, and you can finish up at the fair on Red Square that way. Or go ice skating.
Either way, it’s definitely something we recommend if you are in town at the right time.
Getting there: Pushkinskaya (purple line), Chekovskaya (grey line) or Tverskaya (green line) stations will drop you at the top of Tverskaya Street, and Okhotniy Ryad (red line), Ploshard Revolutsiy (dark blue line) and Teatralnaya (green line) stations will see you at the bottom.
Opening: The street party generally runs from 31st December to 2nd January, and the Journey into Christmas festival starts mid December and goes on until the second week in January.
What should you wear outside in Moscow in winter? One of those niggling questions you might be asking yourself if you are planning to visit Russia in the months of December through February.
answer is usually less than you expect.
Mama’s approach to
cold in the UK is to layer up.
But Russians by and large do not layer up.
This is because
inside is always very (very very very) warm, and so you would be
continually putting on and taking off all of these extra jumpers and
vests and the second pairs of tights.
What you actually need here is a large, thick overcoat, a hat, some gloves, a scarf and one fairly sturdy pair of boots with as non slip soles as you can find. That’s it. And then you are generally good, as long as you are wearing a little bit less than you would indoors in the winter in the UK underneath. Mama’s cardigan collection is sorely underused in Moscow. I am not joking about how hot it is inside.
Generally, that is,
as long as mostly what you are doing is trotting briskly from your
preferred mode of transport to the safety of an overheated building.
Every now and again, however, you might find yourself standing statically in a queue for an art exhibition for which you failed to buy tickets online before they sold out. At this point you will realise that this approach to dressing up is inadequate for forty five minutes in minus 10.
Or rather, you might not, but Mama did when she went to the Arkhip Kuindzhi exhibition at the Old Tretyakov Gallery recently. And forty five minutes was the absolute minimum wait, she calculates, as she got there 30 minutes before opening, and was one of the last people through the door for the first batch, after they had let in all the ticketed people who got their act together earlier than Mama.
So, who is Arkhip
Kuindzhi, you may be wondering, and is he worth all of this fuss?
Kuidzhi was born in was then called Mariupol in Ukraine in 1840. Or possibly 1842. Or 1841. Or even 1843. Nobody, including Arkhip, seems quite sure. There was a very large community of people with a Greek heritage in Mariupol, and Kuindzhi was not exception, although the name ‘Kuindzhi’ is nothing to do with this. It’s the equivalent to ignoring the fact that someone Welsh is called ‘Jones’ and using ‘thePost’ as an actual surname. It means ‘goldsmith’, which was the profession of his grandfather, but is from the Tartar language – also a big influence on the cultural make up of the area. Interestingly, Arkhip’s brother was also called ‘goldsmith’ but in a different language – Russian.
not a new invention. Mama says, pointedly. And neither is rocking it.
Arkhip Kuindzhi’s father was a not-at-all-well-off cobbler, and in any case died when Arkhip was very young. Which meant that Kuindzhi’s formal schooling was pretty minimal, and he did all sorts of jobs like animal herder, construction worker, domestic servant, artist’s paint mixer and photograph retoucher, before finally being accepted into a painting academy in Saint Petersburg in 1868.
He’s associated with the Wandering Artists, which also included friends he had met while studying and boarding in cheap lodgings like (the very fabulous) Ilya Repin. The Wanderers used their art to make biting social commentary and bring about social change through the medium of travelling round the country showing people paintings.
But Kuindzhi didn’t really do people, favouring landscapes instead. And he wasn’t a realist.
No, Kuindzhi’s style is best summed up by a comment from another great contemporary, the portraitist Ivan Kramskoi. Who is a bit of a fan boy or at least features prominently on the audio guide for the exhibition. This quote goes ‘I could spend hours boggling at the way the quality of light is absolutely perfect in this picture, my god, the light the light. But what the fuck is with the flat houses/ trees/ cows?’ Mama paraphrases.
And also, it turns out, lacks the photography skills to really do this crucial aspect of Kuindzhi’s genius justice. Use your imagination a bit here, eh?
Anyway. Remember this is before the height of Art Nouveau, well before the Constructivists, and although he travelled in Europe and would have come across the Impressionists, Kuindzhi clearly had his own take on how to go about it. Came as a hell of a shock to his audience, it seems.
Kuindzhi himself doesn’t have much to say about what he was up to, or perhaps it is more accurate to say that because he didn’t spend much time writing letters or diaries, it’s hard for current researchers to be sure. But he seems to have considered himself to be capturing the transcendental nature of existence.
Which explains why he wasn’t particularly interested in painting from life, but did pay a lot of attention to depicting the giant echoing horizons which contribute to the deep Slavic soul (sort of thing).
You may also have noticed Mama’s Chekov’s gun comment about his involvement in photography. Now Mama may be reaching a bit here (you may have noticed that Mama doesn’t actually know about art), but she does wonder how much all of that had to do with some of the effects he was going for.
She was struck by this sketch in particular, in which you may or may not be able to see that the foreground is very sharply painted and the background is completely defocused.
Kuindzhi, Mama thinks, would have liked Instagram and is a frustrated non owner of a DLSR and a whole bunch of lenses large and small. And what he could have done with filters and photoshop is probably the subject of some really colourful dreams.
And, yes, definitely, he was all about the light. This is absolutely one of Mama’s favourite paintings. Look at what he has done with the colours and guess what it’s called.
After the Rain. And! It’s even better than this in real life! Isn’t that just perfect?
Which is more or less what everyone else thought at the time.
It is a source of great satisfaction to Mama that Arkhip Kuindzhi did not die poor. In fact, Arkhip Kuindzhi, in defiance of the usual starving artist too good for this world to pay attention to mundane things such as proper marketing, not doing drugs, or remembering that the bills need paying trope, died extremely rich. He made a fortune, in fact, not just from selling his extremely popular landscapes at very high prices, but also doing some adroit property speculation. Although it turns out that this may have been somewhat accidental. Initially.
His exhibitions were among the best attended ever (hahahahaha, say Mama’s cold feet. Hahahahahahahahahahahahaha). People spent hours in front of his distillations of summer alone.
Which is not to say that he also went around having his bathroom taps coated in gold paint or whatever it is that people do when they end up a millionaire after humble beginnings. No, he mostly lived very modestly, and even after having reached the height of his fame, took a job as a painting teacher, at which he was very good, or at least well liked.
Until he got sacked for taking part in a student’s strike, just to remind everyone of the incipient revolutionary rumblings of the time.
He also left most of
his money to a charity set up before his death devoted to helping
Of course, he had a wife at this point. Mama wonders what she thought about being disinherited, but since she had gone along with this sort of behaviour for many years previously, Mama is going with ‘as eccentric on this issue as he was’, because Mama, as you can probably tell, rather likes Kuindzhi, and is definitely resisting the idea that he wasn’t as cool in his treatment of his wife is he was in other respects.
Vera Kuindzhi, just to give her more background than an appendage, translated a few of the famous chemist Dmitri Mendeleev’s works into French. And Mama likes to think that this may also be significant because some of what helped Arkhip achieve his striking lighting effects was being experimental with paint, not just the application of it, but its chemical composition.
The most famous example of this is the Moon over the Dnipper River. And variations on this theme, which the Kuindzhi exhibition has a reasonably large number of.
More epic queues resulted and it was sold for 5,000 roubles, which was a phenomenal amount of money for a painting at the time.
And yet what we are
seeing is a poor version of what it originally looked like. The
chemical composition of the paint did not hold – apparently the
whole canvas glowed and was a lot lot brighter.
At this point Arkhip Kuindzhi exited the artistic stage for thirty years, for reasons no-one seems definitively sure about.
What he seems to have decided is that he could absolutely not top nailing the very essence of a shimmering moonlit night in paint, so he wouldn’t even try.
He still worked on his art quite a lot though. The theme of this era, apart from ‘pastel’, is looking down from above. Arkhip Kuindzhi was obsessed by flying. He was famous trying to get up high – he got into the property owning business because he wanted a particular studio on top of a building in Saint Petersburg, but the only way to get it was to buy the two buildings next door as well – and spent a lot of time perched in trees on his estate in the Crimea. Or swimming out to a rock and observing the natural world from there.
Thus you have
paintings like Fog on the Sea.
Although Mama’s favourite in this style is the one with the thistles.
All in all, if you
are in Moscow before mid-February, Mama highly recommends taking part
in the historical recreation of Arkhip Kuindzhi’s successful career
and getting in the queue to see this very comprehensive showing of
Arkhip Kuindzhi’s works.
If you cannot, luckily you can find the best known paintings hanging in the permanent collections in either the Tretyakov Gallery in Moscow, or the Russian Museum in Saint Petersburg, so you’ll mostly only (only!) be missing out on seeing all the sketches, the different variations of the paintings all together, and the opportunity to stand in a room surrounded by glorious sunsets.
If all else fails,
you can go to the Metropolitan Museum in the USA and see the one (1)
painting of Kuindzhi’s there, the Red Sunset on the Dneiper.
And you should, you really should, do some (or all) of these things, because photos on the Internet really do not do justice to how very radiant the landscapes are.
And just to prove just how great he is, here is a video of someone stealing one of the paintings from this very exhibition, a mere week after Mama visited.
They’ve got it back now, but the painting is not going on display in this exhibition again, so here it is. Mama is pleased it has returned – it’s a good one. You can catch it at its home in the Russian Museum in Saint Petersburg.
Address: Engineering Building (just to the left of the main building), Lavrushinsky Lane 12, Moscow 119017
Opening: 10am to 9pm, closed Mondays, and the exhibition closes on February 17th. After that, the paintings go back to the Tretyakov Gallery Moscow and the Russian Museum St Petersburg.
Admission: 500 roubles for adults, and 250 roubles for kids and concessions, free for the under 7s, assuming you want to encourage your kids and elderly relatives to stand in the freezing cold for hours. That said, Mama notices that the Tretyakov seems to have released some more online tickets since she went, so you might be lucky.
It’s an extra 350 roubles for the audio guide. Get the audio guide. Queuing for that long? You deserve it. But you’ll have to leave a 2000 rouble deposit or your ID.
By Metro: Tretyakovskaya metro station (orange and yellow lines). Once you are out, you’ll be turning left and following the signs (in English and Russian). The very distinctive Old Tretyakov Gallery building is across a road and right round a corner. Try not to end up leaving by the connected green line station exit of Novuskusnetskaya as it’ll be a bit of a trek back. But on the upside, you’ll get to enjoy the newly nearly pedestrianised Pyatnitskaya Ulitsa.
When we first visited the Memorial Museum of Cosmonautics in Moscow, devoted to the Soviet and Russian space programme, Mama thought that space, its vastness, its inhospitable nature and the problems of how to stay there successfully went a bit over my and my Cosmic Big Brother’s head.
At that point we were only visiting Moscow, we were both six and under, and I was quite concerned about some of my toys. They were not where I was. I kept asking Mama if they were in my far far away home. She said yes. I was reassured for another ten minutes, while Mama was delighted. Not, I hasten to explain, because I was undergoing angst. But because she thought I had understood something important about the abstract concept of place.
What I say is that you would have had to be very dim indeed, or y’know, two or something not to grasp the distances involved when you have got on a train for ages, a plane for ages and ages and ages, a train for ages, an underground train for ages, and then still had short bus ride to go.
But space, I’m told, is even further away. And I did spend quite some time thinking that Moscow was a magical fairyland up in the clouds, because I tended to be asleep for the down bit of the journey. You can see Mama’s concern. Particularly as there are also actual adult people living today who think that the world is flat.
On top of this, modern life being in many ways indistinguishable from magic, the sheer effort involved in chucking a big tin tube into outer space past the gravity sucking forces and cosy atmosphere bubble is easy to dismiss. Even when it comes back more or less intact. I mean, it’s alright, but it’s no carrying a talking super computer connected to the collected wisdom of humanity (plus cat pictures and Bejeweled Gem Swap Invasion 7) around in your pocket, is it? Surely there’s an app for that?
However, the good news is that you cannot spend three years living in Russia without gaining a bit (ok, a lot) more appreciation of the whole undertaking. Or the idea that being first to *cough* almost *cough* everything to do with the cosmos is a thing to aspire to and be proud of.
So Mama now has to lean somewhat less hard on her not considerable knowledge of physics and engineering to engage us on our visit to the Space Museum, and can rely somewhat more on that of my Cosmic Big Brother. Who has been on school visits. And has internalized a number of factoids he finds interesting about the exhibits. Which he is more than happy to share.
Naturally, as it involves animals, chief among those is the life story of the space dogs, Belka and Strelka, the first two living beings to make it to space and come back alive (give or take a few mice and fruit flies). Did you know that after they landed they were never fed conventional dog food again, but only the very choicest of meaty morsels? You do now. And when they died, they were stuffed and put on display in the Moscow Memorial Museum of Cosmonautics in the opening gallery devoted to some of the famous first flights. Now that’s fame.
Luckily for her, Valentina Tereshkovais still alive and unavailable. Mama wonders how close Yuri Gagarin was to sharing the same fate. But Sputnik is there, and that’s pretty cool, as are the first satellites to orbit various heavenly bodies, significant space suits and a film loop of footage surrounding the most significant space race milestones. Clips of take offs, engineers fiddling with equipment, the great dog/human cosmonauts themselves waving, and shots of ordinary people’s reactions to the news of what had happened.
The great engineering brains behind the endeavour are not forgotten either, but they too are given a human touch. Not just their medals or items from their professional lives are on display, but photos of them relaxing at the datcha alongside their personal chess board and so on too.
Also in this section are some of the spaceorific souvenirs created to commemorate all of this worthy activity. Which, this being the Soviet Union, were mostly in the form of lovingly hand crafted porcelain items rather than mass-produced plastic tat. This is Mama’s personal favourite, although she would like to point you in the direction of the very (very very) obviously female cosmonauts in the other display case.
The engagement of children and adults alike is also enhanced by the fact that the Cosmonautics Museum is visually stunning too. The sputniks, rockets, landing crafts, satellites and probes which litter the place are objects d’art in their own right. The first room you enter has lighting designed to simulate a particularly impressive starry starry night, which makes all the shiny metal things twinkle and the marble floor gleam. The main exhibition hall has a space mural painted over the ceiling. Something which I was particularly delighted to point out to Mama.
And it is surrounded by aluminum walkways, almost giving Mama the impression that she would at any moment be ushered into a space craft and countdown will commence.
If you are in any way photography minded, this means you will want to invest in the special pass. You can take pictures with your phone for free, but for an actual camera you need to pay extra. Mama made the mistake of not realising the first time she visited how very photogenic the Moscow Memorial Museum of Cosmonautics would be. By the time she noticed, she was too far in to go back. Mama’s photography skills are not improved by having to hide behind Papa to snap shots very quickly, so this time we went she ponied up the 230 roubles immediately we arrived.
Totally. Worth. It.
Of course, you can see inside the rockets too, and actually tour a mock-up of the original space station, MIR. Where we were delighted by the computer stuck to the ceiling, the space toilet, and the fish tank.
And then you can roam around in the section about how cosmonauts live, when they are preparing for space, when they are in space, and when they land. Check out the space fridge!
And the very natty training uniforms.
And lots of pictures of smiley people clearly having a whale of a time while whizzing round and round the Earth, pondering the insignificance of humanity’s place in the universe.
And this, which my Cosmic Big Brother somehow still managed to make all about animals. It’s the emergency kit for cosmonauts who have landed to help them survive until help arrives. Note the gun? That’s for shooting wolves, apparently. Aaaaaaaaaaah, Russia.
Just underneath MIR, you can see a re-entry capsule that actually was in space, which you can tell because of its impressively incinerated look. Look out for this mottling elsewhere to reassure you they have not just emptied out the space programme’s cupboards of all the spare, unused space-going, possibly a bit substandard machinery.
The last area is when international co-operation in this great undertaking is celebrated, specially in detailing the work of the International Space Station. We were terribly excited to see the UK flag up there. Hurrah for all two of our astronauts!
It is sobering, though, to note by looking at the wall of Soviet/ Russian cosmonauts, just how few people of any nationality have been up on the cosmos in the last 70-odd years.
If all of this attention to the pinnacle of human ingenuity has made you hungry, there is now a cafe open on the premises, in which you can buy some very reasonable pizzas, and souvenir space food.
Mama was rather upset not to be able to get dehydrated space ice cream and recreate the thrill of when Grandad brought her some on his business trip to the US space centres when she was a child. However, with careful consideration, we got some chicken-and-potato-in-a-tube to take home. After much delighted faffing about with the nifty self-heating pouch, it was a bit of a let down to discover that what was inside was perfectly palatable. But then none of us is all that far removed from the pureed baby food era of family life, so this judgement is perhaps not representative of the reaction of the population at large.
They have also set up a proper souvenir shop in the Moscow Space Museum foyer, although Mama thinks they need more interesting mugs, and also wonders why they do not sell the space food there. We just wanted the Belka and Strelka toys. And magnets. And, I dunno, pencil sharpeners. Whatever there are the cute space dogs on really. Although I was also impressed by the professional looking telescopes.
What they have taken away since our last visit are the very blue, very plush, very strokable rope barriers. Noooooooooooooo! But probably sensible, given that you were not supposed to touch them. Mama likes to think the decision was made after she helpfully pointed out this problem in our original post about the Cosmonautics Museum in Moscow.
The museum does still have the best entrance marker of any museum evah. A sliver rocket soaring on a silver smoke trail elegantly high into the sky. At its base are two very Soviet murals, whose supermen (and dogs) marching gloriously forward into the heavens does not, in this instance, look at all overdone. Mama had been admiring it for years before she ever made it into the museum.
Do not dither in the same way yourself and do not let the shiny distraction of the new Cosmos Pavillion in VDNKh, or the fact that you can go on a tour to Star City, the actual current cosmonaut/ astronaut training area outside of Moscow, distract you – the Memorial Museum of Cosmonauitics is still very very worth visiting. It’s important, it’s interesting, it’s beautiful and it’s really really well air-conditioned.
This post has been considerably revised from the original 2014 version after a recent visit.
Opening: 11am to 7pm every day except Monday, when is is closed, and Thursday, when it is open until 9pm.
Price: Adults – 250 rubles, Children over seven (and other concessions) – 100 rubles, Children under seven – free. The photography pass (which you MUST get if you have a camera) is 230 rubles.
By Metro: The nearest station is ВДНХ (VDNKh) on the orange line. It is about 100m to the museum entrance past a couple of cruise missiles if you come out of the exit near the front of the train (assuming you are travelling out from the centre), but if you choose the exit past the rear carriages, you can walk up a pedestrian-only avenue lined with cosmonaut-planted trees, busts of famous space-programme-related people, stars commemorating important cosmic milestones, and a damn big solar system sculpture-come-sundial. Luckily, whatever exit you choose, you can’t miss the museum. Head for the rocket.
‘Ooooh, is Banksy in Moscow?’ asked Mama on seeing a friend’s Facebook post a month or two back.
As it turned out, it wasn’t the British graffiti artist Banksy himself on display in Moscow but a number of his works in an exhibition subtitled ‘Genius or Vandal? You decide.’
Mama was relieved. The man’s identity may be something of an open secret these days, but Mama has a lot of sympathy with someone who sticks stubbornly to their pseudonymity regardless.
This being cleared up, Mama had no feelings of conflict when she set off, alone, to admire the exhibition. We were out of town, and Papa airily declared that, unlike Mama, he had been to Bristol and seen a number of Banksies in the original. Whatever was in Moscow would not be the same.
Which brings us to the dilemma of holding an exhibition of street art.
Quite apart from the issue of transposing the pieces from the raw urban environment they were designed to challenge into a respectable art gallery, how do you overcome the logistical difficulties of transporting whole walls, sometimes quite sizable walls, and frequently holding up actual buildings across a continent and into a room or two, albeit rooms in the very large Central House of Artists, opposite Gorky Park and within the grounds of the sculpture park Muzeon?
The answer may surprise you.
You. Do. Not. Even. Attempt. It!
Luckily, many of Banksy’s better known works have been reproduced in (Mama understands) fairly limited, carefully authenticated prints. Which is the advantage of frequently working with stencils. So the exhibition consists of a number of these, borrowed back from their owners, and one or two sketches and similar, of the back of an envelope type.
There are also nice big photos of the original works in situ.
Which were usually of typical British street scenes, frequently in London. Mama, overdue a visit back to the motherland, was feeling quite homesick by the end of the show. At one point she actually forgot she was supposed to be looking for the (quite subtle) bit of graffiti and instead gazed at the buildings, the trees, the shops, the road signs, and the people, in undisguised longing for a few minutes.
Other expats be warned.
Also be warned that you are not the target audience for this show.
The thing is, Mama would not have called herself an avid Banksy follower. But what with the fact that she and Banksy are somewhat of an age, a number of his works here seemed focused on her yoof, cycling as they do though the same topics any 20 something anarcho middle class leftie would have had an eye on back in the 90s.
In fact, the themes – the iniquities of the British royal family, the rise of surveillance society and an obsession with the works of Quentin Tarantino – seemed so linked to their time and the culture that produced them, Mama wondered if they would speak to anyone younger, not British, and not currently upset by the death of Princess Diana, the 1994 Criminal Justice Act, and the ear sawing off scene in Reservoir Dogs being set to such an irresistibly catchy song.
It also seemed perhaps a bit trivial compared to some of today’s concerns.
Mama concluded that maybe that’s what everyone thinks looking back on their youthful outrage from their 40s, except, perhaps, the bit about the UK having one CCTV camera for every 11 people or so.
And to be fair, the feedback from Muscovites younger than herself is that they had no trouble relating to the more general points being made by these sections.
Of course, the last thing Mama remembers hearing about from Banksy was the Dismaland installation (pun entirely intended), which was really quite recent, about the same time we left for Moscow in fact.
Banksy took over a large area in a run down seaside resort town on the south coast for a month and together with over 40 other artists created a nightmarish theme park attraction. It featured not only social commentary via the medium of subverted fairground rides and a derelict fairytale castle, but also real life docents who acted like grumpy disaffected employees of the unhappiest place on earth.
Mama followed with interest the fuss that it caused, with some commentators noting that the sarcasm was all rather broad, while at the same time, 150 000 people braved the difficulties of booking a ticket via a sketchy website or queued for hours to get the walk in tickets released each day. Having added some 20 million GBP to the local economy it was dismantled – and the building materials sent to the refugee camp near Paris.
It was all very gleefully satisfying.
Of course, Banksy is in many ways something of a performance artist, one who sucks all around his work into participating. From the ongoing arguments about whether his paintings should be allowed to stay put, be painted over, or be protected with glass, involving building owners, local councils, Transport for London, art critics, buyers, the media and after that, the general public. To the fact that he once got into a tit for tat wall painting war with a more venerable tagger and his followers. Which only ended when the other party, King Robbo, sadly had a (non-graffiti related) accident and eventually died of his injuries.
But I suppose what surprised Mama is that given all that has happened in the three years since Dismaland, there wasn’t more about things like the UK currently descending into self-induced turmoil, as though in defiance of how often Banksy really surfaced in the headlines, he should be out there spray painting furiously at all hours, all night, every night, fulfilling the same sort of role as political cartoonists in the newspapers, or comedians on the TV programmes like Mock the Week or Have I got News for You, churning out topical commentary on the latest stories to hit the headline week after week after week.
And it isn’t like he hasn’t said anything at all.
Of course, Mama mused, it seems Banksy has been spending a bit of time in the US, so perhaps Brexit is not feeling quite so immediate. Mama also gathers one of his current area of focus is Palestine, and there is definitely a case to be made that this is a place which needs attention from someone who has proved very effective at communicating to the public at large in a way that gets people’s attention.
Still, there is another reason than that ‘Banksy: Genius or Vandal’ is more of a Banksy retrospective for the potentially uninitiated, and this is that the exhibition turns out not to actually have anything to do with Banksy himself.
In fact, just this week he posted a screen shot on Instagram of splendidly well-crafted conversation indicating that he might be a bit miffed about it.
The organisers of the exhibition at the Central House of Artists did actually say up front that he was not involved, mind you, but it does explain a couple of things that Mama found surprising when she went round. One is that the tickets start at 550 roubles, which is not 20 quid (it’s more like a fiver) but it is pricy for a Moscow art exhibition, and that’s if you buy online and for a weekday. It’s 15 pounds if you want to skip any queues and have a guided tour, but there are Q-codes which you can scan and get an audio or textual commentary (in Russian) for free. Mama paid 750 roubles (7 or 8 GBP) when she bought at the door on a weekend.
The other is that there is a certain amount of leveraging the merchandising opportunities at the end. Mama hadn’t previously associated Banksy with paying to have your photos taken in the style of some of his better known stencils, or branded T shirts. In fact, while actually at the exhibition, she had spent some time pondering this and trying to work out if this was some kind of new work on the commericalisation of art. Hey ho.
The exhibition closes on 1st September. In the meantime, if you want to see what he is actually doing now, you can visit his website or check him out of Instagram.
Address: The Central House of Artists, Krimsky Val, 10/14, Moscow, 119049
Opening: Until 1st September 2018 11am to 9pm Monday to Sunday
Admission: Adults: 650 roubles on weekdays and 750 roubles at weekends, no concessions. It’s 100 roubles cheaper if you buy tickets online, and 1400 roubles for a guided tour booked online.
By Metro: Oktabrskaya (orange and brown lines) – turn left, cross over the massive seven million lane highway and head left down the other massive seven million lane highway at right angles. Park Kultury (red line) – turn right, cross over the Moscow river, cross the seven million lane highway. The Central House of Artists is opposite Gorky Park.
By other means: Actually, the bus route ‘Б’ stops right outside. This is a circular route, which takes you round the edges of the centre of Moscow and hits a fair number of metro stations on the way.