Lest you are thinking that Mama never takes us anywhere more child friendly than a benignly disposed art gallery, let it be known that over the Christmas holidays we went to a Panto. Aladdin at Stevenage’s Gordon Craig Theatre.
It was my first visit to such an entertainment. And here’s the thing about Pantos.
They are no place for newbies.
I mean, sure, you think the plot is simple enough, and indeed, should be familiar from your basic bedtime fairytale reading, but what I noticed was that there seemed to be an awful lot of unnecessary diversions, which everybody except me seemed to be expecting, and on top of this, the whole audience including Mama, my Best Big Brother, and Granny and Grandad had been given parts, which they had evidently studied carefully.
I spent the whole time wondering what my lines were and when to join in among a sea of people shouting their heads off in chorus when prompted from the stage. Or booing. Mama in particular seemed to like the booing, which seems uncharacteristically rude.
Mama tells me not to worry and I will get the hang of it. She says that my Best Big Brother was likewise totally bemused for the duration of his first two shows, and only this year, his fourth visit, has he really got the hang of it. And how! He spent most of the performance on his feet bouncing up and down and yelling his head off. Panto suits my Best Big Brother.
Mind you, even Mama found herself sitting there wondering why Aladdin, which is clearly a story which should be set in the Middle East takes place in the Far East, although to be fair, this is the original version of the story and not some way for bygone Pantos to take a pop at two varieties of Johnny Foreigner at once. Presumably even exotic locations need their own exotic locations.
It does mean that, Panto being the comic vehicle that it is, modern theatre has a delicate balancing act to do. Of course, nobody goes to Panto for cutting edge political correctness, but Mama felt adding the two black actors as self proclaimed slaves was an exceptionally bold way to distract us from the fact that this year’s fond Papa was a foolish Chinaman and the bad guy an Arab.
Fairly successful though.
Especially as having the Genie riff off Shaft did at least allow for equal opportunity sexual harassment of the audience. Just as all the women had relaxed as Stevenage’s perennial Dame, Paul Laidlaw, targeted this year’s hapless male in the front row (“You’re going to regret sitting there, Dave”), so the large man in the skin tight suit came and stood opposite them (“Look at my eyes. My *eyes*, lady!”).
Mama sniggered. Sometimes Mama has a very low sense of humour. Low. Look at his EYES, Mama.
At least none of the scripted jokes poked fun at anyone’s origins. Unless you count coming from Stevenage and the surrounding area. Mama, who does, doesn’t. Some things are fair game.
Anyway. My faint bewilderment at the intricacies of the medium and feeling of missing out on some crucial inside information notwithstanding, I did very much enjoy Aladdin.
Of course, this was helped by the fact that for some reason, Panto overrides Mama’s aversion to expensive plastic tat, and we got given huge toys which lit up in three different patterns with practically no pestering whatsoever before we’d even got into the auditorium.
And then there was the singing and dancing. I was out of my seat, bopping away, waving my flashing magic wand dangerously in the direction of the little old lady sitting next to me on more than one occasion. All the music was good, but the bit I liked best was that there was not one, not two, but *three* songs from Frozen!!! And one of them took place on a flying carpet which was really and truly up in the air and wafting around above us.
Which was not the only impressive bit of special effects. We had dragons spewing smoke, startling pyrotechnic explosions, a dragon shaped Cave of Wonders opening up before our very eyes, and a five minute lazar show just before the break. Multi coloured light shapes appeared in the air above us! MY VERY WORD!
Mama, who likes to peruse the programme in the interval, would like to give a big up to the business acumen and general logistical prowess of the production company, Jordan Productions, who run the Pantos in Stevenage at this point. She gathers that they have a whole stable of medium sized theatres for whom they put on these festive shows. Which means they can afford to splurge on the scenery and costumes, as they will definitely be getting their money’s worth when Aladdin, Cinderella and Robin Hood et al relocate round the circuit next year. So they do. You might be in the provinces, Mama, who is married to a snobby Moscovite, says, but the kit for Stevenage’s Gordon Craig Theatre’s Pantos is always, therefore, very good. Mama’s money for next year’s Panto, looking at the offerings at the other locations and her imperfect memory of what has gone before, is on Snow White and the Seven Dwarfs coming to her hometown next year, with an outside bet on Beauty and the Beast.
It’s probably the retro magic tricks which swung it for Mama this time though. Mama, child of the 70s that she is, likes seeing young women cut in half. I was less certain and needed reassuring that no permanent harm would come to her.
Mama was also impressed by the singing. The problem with Panto, she says, is that one of the requirements is to have actors you have actually heard of in the lead roles. This, she tells me, does not always make for a happy earful, as most of the ones who come to Stevenage used to work in soap operas. Especially, Eastenders.
Which is not particularly known for its fabulous musical numbers, apparently.
But this year Aladdin and friends had actual voices. Even the chappie from Eastenders. A Panto with a successful three part harmony is thing of beauty, Mama says. Almost better than the time they had Davy Jones from the Monkees. But not quite.
Especially the during the singalong. Thank god – they provided the words this year, Mama will never forget the shame of trying to belt out ‘There’s a worm at the bottom of the garden…’ order to win the deadly serious singing competition between the two halves of the audience without knowing one of the lines. Never assume, Panto people, never assume…
So. Basically, Aladdin at the Gordon Craig Theatre is in most ways one of the better of Stevenage’s always enjoyable Pantos, and is extremely good value compared to the ones at the London theatres to boot. It’s running to 25th January, so there is still time to get down there and shout ‘it’s behind you’ at every available opportunity for reasons I do not really understand if you so wish.
Oh yes you do, oh no I don’t, oh yes you do. Says Mama, incomprehensibly.
Photo credit: I have used the official poster for Jordan Production’s Aladdin at Stevenage’s Gordon Craig Theatre. Clicking on the image will take you to the page where it appears on their website.
Address: Stevenage Arts and Leisure Centre, Lytton Way, Stevenage, Herts, SG1 1LZ
Times: Various, including afternoon and both early and later evening performances.
Tickets: Currently £15.50 per seat
By train: Stevenage station is right opposite the theatre, although Mama is genuinely sad to report the theatre is no longer the striking
eyesore landmark it once was when covered with large yellow bubbles. There are regular trains out of Kings Cross and the fast ones take about half an hour (other directions are available).
By bus: You are just in time to be able to catch one of the last 797 coaches from Victoria to Stevenage before the service is discontinued. The journey takes about 1 and a half hours. Other bus routes from different starting points are available.
By car: Stevenage is famous for its cycle paths (Oh no it isn’t, oh yes… Lets not, Mama eh?), but has extensive and relatively cheap parking all around the theatre. Stevenage itself is bang on the A1M, which is convenient for London (40 minutes to the outskirts). You can come from the other way too.
By plane: Stevenage is excellently served by both Luton and Stanstead airports, both within 30 miles. Heathrow is 45 miles and a trip round the M25 away.