The success of the recent(ish) Sensing Spaces exhibition at the Royal Academy of Arts can probably be summed up by my reaction to the first installation we came across.
I stopped short and breathed WOW! in an awed voice.
Well, you would wouldn’t you? A huge square wooden War of the Worlds alien, dominating what in the normal run of things is a very classically proportioned room, complete with gold angel trimmings? It was impressive stuff, especially when it turned out you could scramble up and down twisty steps in the legs or run up and down a series of shallow ramps to get into the box on top and squint though slits at the punters below or the ceiling mouldings above.
We did that a lot. I do like a good staircase. My Wonderful Big Brother liked the ramps. Mama liked the spy holes. Something for everyone.
We also approved of the room with the tunnel of straws. Of course, manual dexterity is not really my Wonderful Big Brother’s thing, so he didn’t really get involved in the suggested activity of adding our own creations made from long coloured plastic tubes. And I would have preferred removing the fruit of the other visitors’ labour. But it was nice to be able to touch something so visually attractive and tactile, and nice to see the many many adults’ little faces all lit up as they all threw themselves enthusiastically into the crafting opportunity.
Next up was dashing around a stick-walled maze, interspersed with lots of little wooden wendyhouse type rooms for us to explore. At its heart was a pebble room, which made truly satisfying crunchy noises as we stomped around it. We spent quite a bit of time in there building cairns. Just like being at the beach! Without all the inconvenience of being boiled by the relentless sun, covered in eye-stinging sunscreen, getting sticky from ice cream, or having to deal with all that salty wet stuff. Mama definitely approved, and wonders why more playgrounds don’t replace the unpleasantly gritty sandpit with a nice pebble box instead.
Not everything was to our taste. There was an exhibit which mostly involved standing still and looking up rather than whizzing around and touching stuff which we were less impressed by although the big people seemed entranced. And while Mama LOVED the dark rooms with the mysteriously lit thin sticks we all thought looked like fire, I found it positively frightening refusing to let her into the second part altogether, and my Wonderful Big Brother lost interest when he realised he wasn’t allowed to fling himself into the middle of the flames.
But overall it was by far the most interesting high art experience Mama has dragged us off to, and it’s a shame she can’t recommend it because it has now closed, and the various exhibits sold off.
There is a wider point Mama wants to make here though.
The reason we went to this exhibition in the first place was because the RA had made an effort to market it at parents and their children, going so far as to host a get together of Brit Mums bloggers in their cafe (with the opportunity to go round Sensing Spaces for free afterwards). The reason why we went back with my Wonderful Big Brother in tow and paid actual money to get in was because Mama was impressed on this visit by the staffs’ genuine commitment and enthusiasm for getting the kids in and letting them have at it, and damn the noise and sticky fingers. Even the doorman was jolly.
Admittedly, this sort of attitude did encourage all the many many kids who were subsequently taken along to Sensing Spaces to think of the exhibition as a playground, and so the whole experience was a tad confusing as we were all were alternately encouraged to get stuck in and then sharply pulled up when we did, nearly bowling over an elderly art patron or shattering a large mirror in the process. As a result, the air did rather ring with desperate cries of ‘Not quite THAT fast/ loud/ energetically, honeypie!’ as the exhibition did rather too good a job of stimulating us. Mama also wondered if the non-children-encumbered patrons were enjoying the chaos as much. But the atmosphere seemed pretty good humoured, and our enthusiasm certainly got a lot of amused glances. She is forced to conclude that perhaps everybody was secretly delighted by the opportunity to wreak a bit of havoc in an art gallery.
Anyway. Mama thinks the Royal Academy might be worth keeping an eye on. It’s a wrench, of course, to part with a full £14 in a city where there is so much free stuff to enjoy, but certainly the next time they say their latest offering is child-friendly, then we should probably believe them. And if they say it often enough, there are membership options to consider. Just leave the pushchairs at home. There isn’t room in the cloakroom.
The Royal Academy of Arts’ website.
This is what the Hitchhiker’s Guide to the Galaxy has to say about the world’s most beautiful buildings.
Address: Burlington House, Piccadilly, London W1J 0BD.
Opening: Sat to Thurs 10am -6pm, Fri 10am -10pm.
Price: This exhibition was £14 for adults, under 17s free.
By tube: Piccadilly Circus (Piccadilly and Bakerloo lines) and Green Park (Jubilee, Piccadilly and Victoria lines).
By bus: Lots of buses!
By car: Just don’t.
4 thoughts on “Sensing Spaces at the Royal Academy of Arts, London”
It certainly brought out the kid in me; not she is hard to find. More like this please Royal Academy.
Tell me and I listen, show me and I understand, involve me and I learn. As Mama would say.