Garage Archives - Kidding Herself

Gorky Park in Moscow is not what you think (probably)

Mama was recently startled to find that despite her best efforts on Instagram, at least two of her UK-specific friends seem to have a very Soviet view of the centre of Moscow. Don’t they know that the monumentally ugly Rossiya hotel was pulled down and is now the most hipster of hipstery parks IN THE WORLD?

For example.

We now have trees and specially widened pavements on what used to be an unrelievedly grim multi-lane highway, Tverskaya Street, barreling down to Red Square.

The massive pedestrianisation project of the rest of Central Moscow is almost complete.

Cafe culture, albeit strictly in the spring and summer months, is a thing (in the winter it’s all outdoor skating rinks, light shows and street parties).

Not only this, but you can hire not only bikes but, god love us all, scooters, the better to idly tool your way round the leafy, flower-infested boulevards, past the restored facades of pre-twentieth century mansion houses, factory buildings and churches, or around the ponds. As well as gasp at the monumental Soviet architectural doorway architecture, constructivist balconies and such like.

At night, it’s all lit up!

And at any given moment you are very likely to find the whole of central Moscow putting on some kind of festival. New Year, spring, jam, history, fish, teachers, singing, war – we celebrate them all.

I’ll grant you that some of the residential tower blocks in the suburbs are a bit grim. But if the Moscow Mayor gets his way, many of these are not long for this world either. Of course, this demolition project has prompted the Guardian to publish a series of articles explaining how these are not monstrous carbuncles with inconveniently small kitchens, out of date wiring, inadequate sewage systems and nowhere to put a washing machine, but charmingly well thought out residencies and one of the pinnacles of communist social and engineering achievements, which all the former Soviet states were lucky to benefit from. Why oh why would anyone think of pulling them down? And rehousing the inhabitants!

Although they are right about the fact that the replacement of the generously sized leafy courtyards and five floor blocks with 24-story high rises and concrete forecourts is less than ideal. And that this has proved a lot less popular with Muscovites than perhaps Sobyanin was expecting. Possibly because in addition to the loss of pleasant surroundings, the developers and city hall have also found a clever dodge so that the city government does not have to keep its infrastructure provision in line with the proposed quadrupling of residents.

However.

As a result, Mama is of the mind that perhaps y’all have entirely the wrong picture of Gorky Park, Moscow’s most famous outdoor space in your heads. Which is a shame.

In the foreground on the left are some spiky palm leaves. On the right some formal flowerbeds made from low clipped bushes and some deep red flowers. In the background is a rectangular white stone structure. Two pillars and six pairs of columns hold up a roof of the gateway to Gorky Park in Moscow. It is a bright sunny day and the sky is blue.

So what is Gorky Park like?

In summer, you can lounge around on the free cushions, benches and other seating admiring the flowers.

Selection of white, pink, yellow and red flowers in close up

A circular flowerbed with a swirly pattern made of different coloured flowers, especially red. In the middle an urn made of a clipped bush rather than stone rises up, with spiky leaves growing out of the top. The flowerbed is surrounded by trees and benches, and there are people sitting or walking around it.

Or you can hire all sorts of modes of personal transport: bikes, scooters, tandems and so on and enjoy a lengthy run along the Moscow River embankment.

A white structure holds bikes for hire. Hanging from the ceiling are some skateboards and scooters. On some shelves to the left are roller skates. Two people are talking to the assistant in the centre. They are dressed mostly in white and the assistant has a yellow T short on. In the background are trees. The sky is blue.

Or get a pedalo and drift around the lakes (there are two).

A pond surrounded by some reeds with some pedalos drifting around it. There is a small arched bridge and trees in the background, as well as a sculpture of white boxes stood on one another in a 3x3 grid

You can take part in other sports too, with a beach volleyball area, and plenty of free outdoor yoga classes and the like.

A group of men are bunched under a basket ball hoop, looking up. Another man to the left in green shorts has shot, and the ball is about to go though the hoop. Other players are distributed around the court. A spectator watches from the side. In the background there are people playing beach volleyball in swimming costumes on an artificial beach in Gorky Park.

To the left there is a red stage with Reebock written over it. On stage people in exercise gear demonstrate moves. In front of the stage, some people in aerobics gear are copying them, while others watch. They all have their back to the camera. It is a rainy day, and everyone is dressed for that weather.

There are children’s play areas, which are pretty cool no matter what the weather.

In the Gorky Park playground there is a large wooden blue cruise liner style ship, slighly heeling to one side as if sinking. There are handholds so children can climb the sides and lots of small round portholes because you can climb inside and look out. At the back is a large white sphere, which you can also climb inside and a round red pipe. In the foreground are some wooden steps in the form of waves to climb over or sit on. In the background there are trees without any leaves on.

Behind some bushes there is an area with swings set in a circle suspended from white metal frames. Some of the swings are traditional, some are less so. You can see adults, teenagers and kids in the swinging equipment. In the foreground are some bushes and in the background a concrete building with lots of windows.

Food and drink stalls, cafes and restaurants abound.

There are five food stalls. The signs are all in Cyrillic. The nearest has tea urns with bread snacks a bit like pretzels handing. Stallholders are busy preparing food or standing looking out. One customer is leaning on the stall and chatting to the stallholders. It has been raining and the customers are wearing warm coats, hats and boots.

And! There is a dancing fountain!

In the foreground are spikey blue and white flowers and in the background, out of focus, a fountain arcs water straight up, left and right. A man is looking at it with his back to the camera.

In winter the whole place turns into a giant outdoor ice rink. It’s not quite as big as the one out at VDNKh usually is, but it’s just as cool.

You can also climb on top of the entrance gates to a viewing platform. And visit Gorky Park’s very own museum (it’s on our list. Obviously).

The Gorky Park gateway from underneath. You can se white stone columns on either side and sandy coloured stone above, with large round indentations cur into the stone. The sky is a strong blue colour to either side.

There is even a highly regarded modern art gallery, Garage, to look round.

Delicate blue, purple and white flowers with on tall thin stems with frothy frondy leaves in the foreground. In the background are some trees and grass surrounded by paths, and behind that a silver rectangular building that is Garage art gallery.

And an observatory.

Partially hidden by trees is a small cylindrical red and white building with a shiny silver metal dome that the sunlight is bouncing off. In the foreground there is long grass and a plant with bushy broad leaves. There are some white globe lamps dotted around, close to the ground.

Gorky Park always gets in on any of the big city wide celebrations happening in Moscow, so it’s a definite place to consider going if you want to join in.

Two men and a woman stand around a small forge next to the Moscow River in Gorky Park. The woman is looking down, with her hood up and her hands in the pocket of her coat and operating bellows with her foot. A man opposite her is smiling and holding a long metal rod in the fire. He has on a beanie hat and a cagoule and some gloves. The other man stands between them with his hands in the pockets of his trousers, looking at the fire. He is wearing a hoody and a bodywarmer.

There are a whole bunch of people climbing over tanks parked on the embankment of the Moscow river in Gorky Park

Two large men have picked up a large tractor tire and are carrying them in parallel in a rage. Straw bales mark the area they are racing in. Other people are standing and watching them. It is a wet day.

But you also probably don’t realise how big it is.

Neskuchny Gardens are not boring

The bit with the organised fun, the bit actually called Gorky Park, is really only the start of it.

If you amble further along you get to Neskuchny Gardens, which literally translates to ‘Not Boring Gardens’. These are the remains of the formal gardens belonging to the mansion houses of aristocrats, which after the revolution were commandeered to form the backbone of the new proletarian leisure facility.

This isn’t a mansion house though. It is a library.

A classical looking yellow and white building with a columned frontage sits on top of a steep hill covered in brown autumn leaves. The trunk of a willow tree leans in from the left, and dangles its thin branches down from the top of the picture.

There are also grottos, statues, pleasant grassy knolls and a continuation of the embankment to continue to stroll along. Somewhere there is also a round pavilion where What? Where? When? is filmed. A quirky and very beloved TV show, it is something like what would happen if you crossed University Challenge and QI, let the participants wear evening dress and had members of the public setting the questions.

And! Mama and Papa came here for their very first date. Which seems to have worked out quite well all told.

Sparrow Hills are quite hilly and might have some sparrows

If you keep going, you will find yourself in the midst of the wooded Sparrow Hills. Through which you can walk and walk and walk, and take in this fabulous building.

It’s the Russian Federation’s Science Academy. Isn’t the architecture just perfect for an academy of sciences? And if you nip across the bridge here you can go to the Moscow Art Deco Museum.

However!

You are still not done and can continue walking though woods, next to the river, past the urban beach, which Mama does not really recommend you swim from, right round to the Luzhniki football stadium, Novodovichiy convent and Moscow City. Although you’ll have to cross the Moscow River to get to them.

Luckily, a brand new method of doing this has just started up – taking a cable car. Which doubles, in winter, as a means of getting to the inner city downhill ski run.

So, Gorky Park. Well worth a visit, especially if you are in Moscow for any length of time, in summer or winter. Not much to get back to the USSR with (you want Muzeon, just over the road, for that) but a lot of other things to see and do.

And for more information about the man behind the name, see this post.

More information

The park has its own website (in English).

This is what the Hitchhiker’s Guide to the Galaxy has to say about Terry Pratchett, author.

Address: Krymsky Val, 9, Moscow, 119049

Admission to the park is free.

Opening: 24 hours. Allegedly.

Getting there: For the main entrance, you want either Oktyabrskaya metro station (orange and brown lines) or Park Kultury (red line). But there are a number of other entrance points, notably Vorobyovy Gory (red line), which will give you a walk through the Sparrow Hills wooded area, through Neskuchny Sad/ Not Boring Gardens and on to Gorky Park.

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Bone Music and Bootleggers at Garage Art Gallery, Moscow

So one day British musician and music producer Stephen Coates was walking through a flea market in St Petersburg, Russia (as you do) when he spotted something which looked a lot like this.

Intrigued, he stopped and asked the seller about it, but didn’t get a very satisfactory answer. Coates bought the thin plastic disk anyway, discovered it did in fact play music, and then set about trying to discover more.

This was, apparently, a bit difficult at first.

Of course, had Coates asked Mama, he could quickly have found out what he had acquired. This is because Mama long ago read Back in the USSR: the true story of rock in Russia, about the underground rock scene in Russia and the former Soviet Union.

We went on about it here, you might remember.

This book, published in the very late 80s, was written by Atemy Troitsky. Who was very much in the thick of it all as a producer, musician, critic and organiser of some of the Soviet Union’s first rock festivals.

Troitsky is mostly concerned with the scene in the late 70s and 80s, but he includes as a sort of prequel a whole chapter on the clandestine music lovers who came before. These were the stilyagi, or hipsters, who went to extraordinary lengths to simulate the Western lifestyle of rock and roll fans in the late 40s and 50s, up to and including listening to bootleg records made out of old X-rays.

One of which, of course, is what Stephen Coates had got his hands on.

Mama is smug that she knew about this before it was cool. But then on the other hand, Mama did not start a whole organisation called X-Ray Audio dedicated to preserving the records and researching the phenomenon by meeting and interviewing some of the participants like Stephen Coates did. And now there is a whole exhibition, Bone Music, at the contemporary art gallery, Garage, dedicated to these fabulous objects.

Mind you, not that the ryebra, or ribs, were just about passing round Western rock and roll or jazz music, acceptable during the war, summarily banned afterwards. Also frowned upon by the post-war censors was music by Russian emigrees, 50s gangsta rap-esque prison ballads, and songs by any individuals who had pissed off the Communist party or one of its more influential members.

Why X-rays, you might be wondering. Well, they were reasonably easily obtainable – hospitals had to get rid of them after a certain amount of time because of the fire risk they represented – and took the grooves cut by improvised recording equipment well enough, if not particularly well, to be able to hear the desired tunes. Alongside a lot of hissing and crackling.

So the Bone Music exhibition is not just celebrating the roentgenizdat, but the people who made them and the machines they built to do it. People who were arrested, sent to the gulags, came out, and settled down to do it all over again.

And you never thought Rock around the Clock was all that.

But also on display at Bone Music was the way that people who might want to listen to such things were portrayed in the press, or even in films. Negatively, as I am sure you can imagine.

Yes, much of the text in the exhibition is in English as well as Russian. But then the Garage art gallery is very hip.

Very apt.

Our favourite bit of the whole Bone Music exhibition was the room set up to simulate a bootlegger’s lair. The reason? Everything in the room was touchable. All those little drawers had bits and pieces in. Tattered ID documents, valves, more valves, bits of string, technical drawings, some wire, valves, stamps, a tin of old kopecks, and valves. We opened the tea caddy and smelled the leaves inside. We handled the freshly produced X-ray records. We looked though the old exercise books of carefully handwritten catalogues. Hours of fun.

Bone Music is on at Garage until 14^th October, but if you don’t catch it before then, the X-Ray Audio project goes on tour internationally quite often. See if you can check it out when it comes to you, because the sheer ingenuity of people generally, and the indomitable spirit of those suppressed should be celebrated.

And then there’s music. You should definitely remember the days it didn’t die.

To help you, here is Stephen Coates doing a TED talk about Bone Music and his X-Ray Audio project.

More information

The exhibition’s page on Garage’s website (in English).

X-Ray Audio’s website.

This is what the Hitchhiker’s Guide to the Galaxy has to say about the Beat generation.

Address: 9/32 Krymsky Val, 119049, Moscow, Russia (inside Gorky Park).

Opening: 11am to 10pm all week to 14th October 2017. Other exhibitions at Garage also exist.

Admission: 300 roubles for adults, free for children under 11.

Getting there: The two nearest metro stations to Gorky Park are Oktyabrskaya (orange line) and Park Kultury (red line).

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Garage Triennial of Russian Contemporary Art or Not.

It is Mama’s firm belief that modern art is the medium to go for if you want childish appreciation of visual virtuosity. Classical paintings are very flat. Contemporary… whatjmacallits tend to be a lot more pace roundable, climb upable, crawl alongable, duck underable and even, occasionally, touchable.

The current exhibition at the Garage art gallery in Moscow, the Garage Triennial of Russian Contemporary Art, has items on display which allow you to do all of these things, and put on headphones to listen to the soundtrack that accompanies them as well.

Of course, so far we have only been to one exhibition where you were invited to handle everything, and the Garage Triennial wasn’t it.

Figuring out which items you are supposed to manipulate and which to contemplate from a safe distance by carefully observing the appropriate behaviour of more clued up others is both a profoundly moving representation of an essential aspect of the human condition and also a very good opportunity for children to practice this vital social skill.

To limit the potential damage this might cause, the very practical Garage gallery had stationed a large number of young docents at every possible corner on the lookout for people doing it wrong, so generally the art was safe from everyone except Mama, who absent-mindedly walked into the dangling skier model. We simply can’t take her anywhere.

Adding to the child-friendliness, in the Garage Triennial, when the art is flat, it tends to be on TV. Can we recognise the difference qualitative difference between Spongebob Squarepants and a woman being sloooooowly covered with large smooth stones on a beach? Mama has no idea, but she does know that my Predictable Big Brother will be entranced as long as there are moving images.

Mama wouldn’t say that the Garage Triennial is simply uncomplicated fun for the more youthful element of society though. So she experienced trepidation every time I put on the headphones, and even insisted on sampling the soundtracks first if she could get there ahead of me. But since I retained my sunny delight in trying on every single one of them for the whole of the exhibition, Mama concludes that it was fairly innocuous after all. And the set that also included virtual reality goggles was simply FABULOUS. Floor to ceiling dancing babushkas. ‘Nuff said.

The Garage Triennial of Russian Contemporary Art is organised into a number of themed sections. Its overall aim is, for the first time ever, to showcase the current state of the modern art scene for the whole of the Russian Federation, and to this end curators spread out all over the very very big country in order to discover what is going on out there. Way way out there in some cases.

They seem to have decided that artists are working on being famous (‘Master Figure’), describing themselves (‘Personal Mythologies’), describing their location (‘Fidelity to Place’), describing what’s wrong with that (‘Art in Action’), describing art (‘Common Language’) and scribbling on walls (‘Street Morphology’).

And actually Mama, who can sometimes find herself in a modern art gallery staring a large, random, piece of burnt wood and wondering if it would make sense the other way up, felt that either the Russian artists had been unusually successful in getting a point across or that the groupings were particularly well thought out. In pondering the connections between pieces or between the piece and the topic, she made a lot more sense of what was going on than that time when she was interviewed by a psychic guru in the catacombs of the Tate Modern.

Went a bit over our heads, mind you. My Predictable Big Brother stared particularly blankly at the large golden model of a priest and inquired with some disapproval as to why he was making a mildly rude gesture. Being moved to read the caption and finding out it is a self-portrait didn’t seem to help much.

Basically, both of us much preferred the shiny metal spiny sculptures, the giant pile of rubbish that changes into something much more attractive when the lights go down, the sand tray where you could use tweezers to move a few buttons, twigs, grains of sand, plastic baubles and fabric flowers around, and the giant multi leveled wendyhouse, with the extremely steep twisty stairs.

Most of all I liked the dolphin buried in a concrete brick. Look, I just like dolphins, alright? No need to overthink things.

I liked it so much, in fact, I drew it in the visitors book, full of sketches by other gallery goers too, after double checking to make sure it wasn’t just another piece of art.

Mama thinks that very much in evidence was the Russian surrealist sense of humour, impressive commitment to fixing anything as long as there is a bent paperclip or a large hammer to hand, and habit of flinging themselves wholeheartedly into their latest project.

But the Russian reputation for startling directness is also not unjustified and this was definitely on display at the Garage Triennial too.

Take this one, which Mama found one of the most powerful examples, given that it marries the very delicately pretty feminine art of watercolour painting with the ugly subject of domestic violence.

Or this one, in which items from the personal and political history of the country have been embedded in amber, itself an iconic item from this part of the world. Can’t get more crushing that the implication that the symbols you held so dear are now fosilised remnants of a disconnected past.

Or this one. These are house numbers. Note the missing ones, intended to represent the losses suffered to wars and instability in the artist’s hometown.

Which is Grozny in Chechnya.

Let’s just take a moment to add a new layer of painful interpretation to that, shall we?

But the problem with message-driven art is that at some point that you do start to wonder if perhaps standing in a swish custom-built chrome-plated art gallery, thinking about the coffee you can have in the large, tastefully-appointed cafe downstairs, next to the extensive souvenir cum glossy art books shop is all a bit… too… comfortable.

Is there, in fact, a point to looking at this kind of thing if all you are going to do afterwards is play on the table football, and then wander downstairs to the elegant toilets, where there are sprays so you can detoxify the seats before parking your rump, as well as a mirrored area with a built in clever-clever hashtag for teenagers to primp in front of before their edgy Instagram session upstairs? And all this while listening to the deliberately amplified sound of flushing loos?

A question already addressed in the Garage Triennial of Russian Contemporary Art, by the Monstration happening.

This is an event which takes place annually, and which at first glance seems to show a large street demonstration in action.

But if you look a little closer (and you can read Russian), you will see that the placards are covered with pseudo slogans.

Because this is a pseudo protest.

Yes, the artist organizer may occassionally get arrested for planning it, and the onlookers heckling the participants may also be taking it seriously, but no, these people have turned out en mass and with considerable enthusiasm, having taken the time to paint up their own signs with absurd sayings to participate in an entirely content-free demonstration.

Mama simply cannot decide whether this is the most genius bit of biting sociological satire she has ever seen, the angriest political commentary or an egregious example of shocking frivolity given that it is 2017, the year after 2016. It’s been bothering her considerably.

Which, I suppose is the point of art, contemporary or otherwise. To get under your skin, to stay with you, to make you examine the world in a different way.

So go, if you can. It’s interesting, fun and worthwhile. And your kids will love it.

More information

The exhibition’s website (in English).

This is what the Hitchhiker’s Guide to the Galaxy has to say about bluffing your way round an art gallery.

Address: 9/32 Krymsky Val, 119049, Moscow

Opening: The Garage Triennial of Contemporary Russian Art is on until 14th May 2017. 11 am to 10pm daily.

Admission: 400 roubles for adults. Children under 11 are free. Children over 11 cost 100 roubles.

Public transport: The Garage gallery is in Gorky Park. The two nearest metro stations are Oktyabrskaya (orange line) and Park Kultury (red line).

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