The Victoria and Albert, generally known as the V&A, presumably, Mama says, because the owners don’t want to have to keep explaining that Albert is not another name for David or something, is a design museum with somewhat the same remit as the British Museum. The difference is, whereas the Stuff in the British Museum is significant, the Stuff in the V&A is pretty. Plus, there are more dresses.
Mama likes it a lot. However, the problem with it as a venue for the younger set is that many of their display cases start at adult waist height, which is no good to me, while at the same time they also have a habit of putting things like large 3000 year-old sculptures in the shape of a dragon just asking to be stroked on the floor at toddler height.
You are not supposed to stroke them.
Mama knows this because when my Wonderful Big Brother did, back when he was even younger than me, she saw, out of the corner of her eye, two museum personnel wince dramatically.
This recalled her to sanity; she’d been spending so little time in big people space that up until then she had half assumed that nobody would put a sculpture on the floor if they didn’t expect a bit of small person handling. She whisked my Wonderful Big Brother away but unfortunately she chose the sculpture gallery to retreat to. After he then tried to play hide and seek amongst the rather flimsy plinths holding busts and small figurines (again, too high up for a little ’un to really appreciate, so… you make your own fun), Mama left the building and didn’t return for quite some time. Especially after a head by Rodin had actually wobbled on its stand. Time stood still for Mama that day, I can tell you.
Funnily enough the very first thing I headed for the very first time she let me off the leash inside were the exciting columny things, which I then prceeded to dance excitedly around, just outside easy grabbing reach. I even targeted the same artist!
At least we have taste!!! Mama says, somewhat hysterically.
My Wonderful Big Brother has since matured, Mama has learned to keep a firm hand on my collar, and searching for interesting animal knick knacks has become a profitable pastime. The section devoted to the Indian subcontinent is particularly excellent for this. We also really like the writhing glass tentacles and colourful dangling planet sculpture in the front entrance hall. But Mama fears for the impressive Persian rug if our muddy feet should stray on it, and is not thrilled by the way we beg passers-by for coins to throw in the fountain just off the entrance foyer, so all in all she recommends basically that the whole of the ground floor is not one to linger on unless you are planning to visit the coffee shop. Mama sneaks in there quite often when I am asleep. The coffee, Mama thinks, is vastly over-priced and so are their scones, but on the other hand you can choose between drinking it in the outdoor courtyard surrounded by the rather splendid building facades or drinking it in the large rooms where the walls are amazingly beautiful old patterned tiles.
When I am awake Mama heads for the lifts. If you go up to the very top floor there are a series of rooms which Mama thinks must actually be a glorified store for surplus ceramics. All the decorative plates, figurines, pots and tiles you could possibly want from all areas and all eras and as the cases are floor to nearly ceiling I can actually see them! And it’s all behind glass! Mama invariably breathes a sigh of relief and lets me gallop up and down the aisles to my hearts content as there aren’t many people up here usually either. Just don’t go round the corner to the furniture gallery. It may look like a living room, but it isn’t because you aren’t allowed to sit on anything. Or fiddle with the interesting little lights spotlighting the chair-shaped art. Apparently.
The middle couple of floors are much more touchy feely. There are telephones! I haven’t found Papa on the other end yet, which is odd because it’s usually him on the one at home, but some of the music they play while they are looking for him is fun. There are also drawers you can open and close and open and close and, look, more drawers to open and close and open and close. They have stuff in them, but that’s not the point, of course. Mama appreciates the drawers greatly. She can have a rare moment of actually looking at the exhibits while I am otherwise occupied and relatively static.
If you fancy a sit down, they show films on these levels too. Oddly they are not in colour and everyone walks around very quickly. Mama says they are films of everyday life from a place called ‘over 100 years ago’. She finds them quite fascinating. So do I – the women have princessy sort of dresses and there are loads of horses. I will move there when I am bigger. Mama says the laws of physics might have something to say about that, but I am half Russian and most laws do not apply to me so I do not foresee any problems there. You can also find areas specially for small people, and although clearly they can’t compare to the drawers, I do enjoy the building blocks, which gives Mama a sneaky chance to get stuck into the dressing up. Sometimes Mama also amuses herself by going on a hunt for the mythical music room. She hasn’t found it yet – presumably it is only in the building every second Thursday when the moon is in the final quarter or something.
Anyway. Overall, the V&A is not the most restful of venues for those toddler Mama’s out there due to the need for constant vigilance to ensure that no priceless bits of artwork are destroyed by small questing hands, but there is plenty to see and the refreshment area is superior.
Address: Cromwell Road, London, SW7 2RL
Opening: 10am to 5.45pm daily, with opening to 10pm on Fridays.
Price: Admission is free.
By Tube: South Kensington is is about five minutes walk. Piccadilly, Circle and District lines.
By Bus: The C1, 14, 74, 414 routes stop right outside, as do tour buses.
By Car: Seriously?